September 2017

pandoratelenor:

I am still reading bacon Smiths early fandom studies book today for uni.

Right now in book! Slash fandom discourse of 92. Called literally “the feud”

pandoratelenor:

camille bacon smith 1992 about drama in a Blake 7 fandom circle:

The effect on the Blake’s 7 interest group has been predictably disturbing to its members, and in 1988 the group did fission under the stress, in part along genre lines and in part based on personalities. Thus far social equilibrium has not been completely reestablished, but it appears that most participants who remain will establish residency in one group or the other, while some members will continue to participate in both groups.

How did this tragic story end??? did the blake 7 fandom circle ever heal from their deep wounds??? a modern reader wanna know

i feel like lots of zines don't actually pay attention to the quality of the work first and foremost. instead they look at work, but then weigh that against how popular the person is because that will drive sales and preorders. and whenever smaller creators say something like "it's hard and motivation crushing because of xyz" more popular people are like "hey it's not that bad!!! just try!! i didn't try to be popular! it just happened!! but if you keep trying it will happen to you!"

maydei:

I mean, a lot of the people who get chosen are incredibly talented people. I don’t dispute that at all!! I do recognize pretty much every creator I ever see accepted into zines, and 99% of the time I already follow them for the quality of their content!

It’s just tough out here for writers because writing takes up so much more space than art, so there’s usually fewer writers featured to start with. So while you may have 50 artists, you might get 15 writers. So it makes us much more competitive with each other, which shouldn’t be what it’s about. It should be about an opportunity to make something amazing for people to experience and hold onto!

But I can’t deny it’s frustrating and disheartening. It does make fandom a little more bittersweet than I would like. But it’s kind of interesting? In the older days of fandom, zines were almost exclusively Not A Thing™ because people were too worried about copyright infringement, and all content was just free content solely for enjoyment of the fans on the internet. It was a community of sharing instead of purchased work. And while I do own a few zines myself because I like supporting the people I follow, it’s just…. things didn’t used to be like this in fandom? And it’s very odd to me to see how it’s changed. It almost feels like the disparity between “zine-worthy content” and the fandom is growing to be a wider and wider rift as time goes on, and projects like this become socially acceptable within our closed circles.

Quote:

But I can’t deny it’s frustrating and disheartening. It does make fandom a little more bittersweet than I would like. But it’s kind of interesting? In the older days of fandom, zines were almost exclusively Not A Thing™ because people were too worried about copyright infringement, and all content was just free content solely for enjoyment of the fans on the internet “

In the olden days zines were Very Much A Thing™.  In fact for 30 years zines were Pretty Much The Only Thing™  because it was the only way to get fanfic. Fans worried about copyright, but that didn’t stop them from charging money for the zines. 

On Fanlore we have over 8000+ pages about fanzines. We have pages and pages about Fandom and Profit. We have meta about fanfic, fanzines, feedback and…. well, take a look.

Connie Faddis Star Trek Fan Fic: The Third Wheel

meeedeee:

Connie Faddis has graciously offered to allow us to post her fic online. For now, they will be available in PDF format download. If someone wants to convert her Star Trek fic to html and post them on a fic archive, I’d be happy to put you in contact with her.

Second up: The Third Wheel published in the print fanzine Interphase.

Two reviews from Fanlore:

You can download the fic here.






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Updates 9/27/2017:  Since mediafire tosses nasty popup at Mac users, try this alternative link

We’ve also found someone to work on getting her Star Trek fic into html format and posted to AO3. Another fan is working on her Starsky & Hutch fic which should be hosted on the Starsky & Hutch Fiction Archive.

Connie Faddis Star Trek Fan Fic: The Third Wheel

Connie Faddis has graciously offered to allow us to post her fic online. For now, they will be available in PDF format download. If someone wants to convert her Star Trek fic to html and post them on a fic archive, I’d be happy to put you in contact with her.

Second up: The Third Wheel  published in the print fanzine Interphase.

Two reviews from Fanlore:

EditedMediafire is tossing popups at Mac Users so I’ve updated the link to Drop box. 

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comments x-posted to morgandawn

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comment there

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thesweeterthings:

Ye Ole Fandom Thing that disappeared completely inexplicably- fanfiction awards. 

Contemporary fan fiction is overwhelmingly digital in both publication and dissemination; it has never been easier to access this subculture of writers and writing. However, fan fiction in print has likewise never been so accessible, as a slew of recent popular novels proudly proclaim their fannish origins and make claims such as “More Than 2 Million Reads Online—FIRST TIME IN PRINT!” Further, traditional fannish mores insist that fan work should never be done for profit, and yet numerous print works adapted from fan fiction have become best sellers. I would like to problematize how we consider form and content in both creation and reception, how the popular value of work waxes and wanes in relation to its fan fiction status. In other words, how can we read fan fiction as part of a continuum of historical publication practices by women, and problematize our hierarchies of value between print and digital?

Coker, Catherine. 2017. “The Margins of Print? Fan Fiction as Book History.” Transformative Works and Cultures, no. 25.
(via fanhackers)

Hi! I wanted to address an ask you answered a few days ago about violence in m/m vs. f/f. I think you're absolutely right, that there is more violence in m/m content because men are the subjects & most people are socialized to recognize and accept men as more violent (as well as better accustomed to withstanding violence.) Part of what makes the argument of the other ask so ridiculous, is that this entire anti movement paints itself as coming from a place of social awareness, (cont.)

smallswingshoes:

rhodanum:

lvxiuwendono:

fangasmagorical:

lvxiuwendono:

profujoshi:

comes from a place of sexism. I mentioned how people are accustomed to the imagery of men in dark, violent situations; male characters go through this stuff all the time! (Not just in m/m) In contrast, female characters generally aren’t allowed to go through disturbing situations and are certainly not allowed to be the cause of them. It comes back to girls being sweet, soft, and innocent in a way that tumblr often misguidedly perpetuates. (cont.)

The fact is, women are just as dark and disturbing as men bc all our minds work in the same way, and there ARE women abusers and women rapists and, yes, EVEN f/f rape and abuse. It exists in real life, so I think the fact that there is practically NO fictional media portraying it is far more telling than the fact that m/m rape fic exists. In fact, I hate to pull out the survivor card or, but I was raped and abused brutally by another girl as a young teen. I want to read manga & stuff (cont.)

about similar situations, because everyone enjoys reading about characters they can relate to. It was completely disheartening when I was younger to not be able to EVER find a similar situation portrayed. It made me feel like I was some extreme statistical outlier. However, I wasn’t. It is simply that media & fandom & society doesn’t like to show violent, disturbing girls; it’s a way of keeping girls ‘palatable’. If you’ve ever read/watched any f/f content (I’ve read a LOT tbh), a lot of (cont.)

the characters are the same worn-out stereotypes doing the same worn-out things, because variety is not encouraged when it comes to women. It’s literary same-face syndrome. Anyway, I’ve ranted quite a bit. My final point is: social awareness has no law over fiction. However, if you really want to play the social issues card, at least understand what it is you’re talking about. Thanks for putting up with all the asks! -fop.

I don’t have much to add to this because you’ve covered everything so thoroughly. Speaking just from a media standpoint, it’s a shame that we see so few female villains and even when we do, they are usually objectified or their character traits all revolve around seduction and sex. There’s just no variety. 

And in the real world, ofc, denying that women can be horrible or punishing them less than men for the same crime is just doing them a disservice. Putting women on a pedestal is harmful too and is especially horrible for the people who suffer abuse at the hands of a woman. 

Huh? It may be a generational or cultural thing,  but ever since I started getting involved in femslash fandom rape and violence has been the favourite plots,  be it subtle,  character driven portrayals like Shoujo Kakumei Utena or explicit rape fantasy fanservice like Cross Ange or Valkyrie Drive.  Like,  favourite plots of porny Sailor Moon fiction is “Sailor Soldiers raped by female villians”. Slash and femslash are exactly the same. 

So far as I can tell, it is generational. Femslash used to be very much the same as mslash in the nineties and early 2000s, in terms of darkness and villainy.

However, the recent reactionary backswing to purity politics in fandom which is only just now reaching mslash, completely wiped out all concept of female villains in fandom years ago. 

First, let’s look at, as you mentioned, Sailor Moon. Specifically, I am thinking of the once immensely popular (though now rather less so) shipping of Chibi-usa and Hotaru’s villainous forms. Although the villain x villain version of the ship lives on, as does the good x good version, I remember very clearly how popular Mistress 9 x Chibi-Usa fics, art, and fandom activity were. 

And in those pairings of a villain and a protagonist, there were extensive studies- both fetishistic and not- of rape, abuse, manipulation, grooming. It was dark, it was violent, it was all over the place. 

And we knew, of course, that it was bad. We were shipping villains, after all. We knew what was going on was horrible. BUt it was also engaging, interesting, and in my case, proof that people like me (abuse and rape victims) existed. 

These fics were some of the ways I found comfort and catharsis after I was raped, which is why the memory of them sticks so much. And why the stark absence of newer works in the same vein is so easy for me to see.

Fast forward a couple of decades and look at another prominent magical girl series that is rife with opportunity to explore horrible subjects: Madoka Magica.

Here we have a set up that begs for the same treatment: a dark haired, purple themed girl who does horrible, dangerous things out of a misguided, manipulative, dangerous love for a pretty pink innocent. 

And yet, any time art and fiction in that vein bubbled up in the (female dominated parts of) the fandom, it led to immense harassment campaigns. People being driven off their sites and rings for daring to suggest that the all-too-canon obsession and pain Homura experiences, and the total lack of consequence for her any action, might lead to the inevitable abuse that, somewhat ironically, was itself canonized in the final movie.

The fights were immense, and they were brief. Within a few months, the shift was well and truly complete. Discussing the dangerous, villainous aspects of Homura’s character was all but illegal. The only way it was acceptable was if you were decrying the entire show as “abuse porn.” Certainly you could not make fic or art on the subject.

It happened with other fandoms too, nearly simultaneously. I remember, for example, the entire Vriska debate in homestuck: another character who was openly and unapologetically awful, and whose awfulness it was not acceptable to explore unless you were spending twice as much energy decrying- loudly, aggressively- how bad she was and how anyone who enjoyed her was also criminally violent.

Personally, I assume it was a manifestation of the increasing social awareness of fandom and tumblr, taking an unfortunate turn.

This purity-obsessed backlash never really hit on male characters, and male/male ships.

Until now.

With female characters and female ships having been driven into submission almost uniformly these days, what’s left is male characters and ships.

Which is where modern anti-shippers come in, screaming not only about how good (how obedient, how cleansed) f/f ships are (because any trace of villainy has been stripped form them for almost a decade), but how anyone who ships filthy, dirty m/m is dangerous and criminal too. 

Which is odd, for a group claiming to be socially just, since they… habitually refer to queer ships and criminal and disgusting. 

BUt homophobia is cool when you’re using it to punish women authors/artists for not conforming to ever-tightening restrictions on what they are allowed to do and create.

Ah, such a gread addition.  @rhodanum, @andarthas-web

This touches on a TON of my issues with fandom. In order: 

I noticed the cleansing of femslash of any ‘impure’ elements over the years. The end-result can be seen clearly on Tumblr, where you see femslash ships and dynamics constantly being referred to in soft, gentle, twee, pastel terms, again and again and again, no matter the ship. More power to people who enjoy that, but the problem is that it’s usually the only sort of presentation you run into because it’s the only sort of presentation allowed to exist without some sort of backlash. Same thing about people going on and on about how ‘perfect’ and how ‘pure’ femslash ships are. It just sets my teeth on edge, not just because it’s a classical manifestation of purity culture in action, but because perfection and purity as tropes bore me to absolute death! 

Give me female villain/heroine ships with absolutely nothing gentle about them! Give me female anti-heroines that are as flawed and filled with mistakes and jagged edges as the archetypal male Byronic Heroes, who constantly fuck up and wreck their relationships, because they can’t deal appropriately with emotional intimacy! Give me middle-aged, hard-faced, ruthless lady Generals who have short-term, no-strings-attached relationships with woman after woman after woman in the Legions, because they lost their great love years ago and nothing else comes close. Give me femslash ships with faults, with sharpness, with cruelty, with control, with Stockholm Syndrome, with irredeemable mistakes. Don’t spend all your time trying to cram anodyne flower-crown fluff down my throat, because all it’ll do is just make me tell you to go piss up a rope. 

The fact that purity bullshit moved to M/M ships after the F/F contingent was suitably ‘tamed’ isn’t any surprise to me at all. You can see it right now, with the constant shouting about what people are ‘allowed’ to write in the slash fics. Brutality? Violence? Sexual violence? Dark kinks? All of it right out. Until what you’re left with is the same thing as with femslash – an endless parade of ‘this ship is so pure uwuuuu’ and ‘this ship is so healthy uwuuuu’ and ‘this ship is so balanced uwuuuu’ with almost nothing else, unless you’re willing to open yourself to some heavy-duty harassment and denigration. To be clear, my issue isn’t the existence of healthy, balanced ships – I believe in variety being what gives meaning to life and variety also being what makes fandoms interesting. Meaning Cinnamon Roll ships co-existing with much darker ones, without a constant trend to make the latter disappear, by any means necessary, until the former dominates across fandoms. 

oh my god… this actually explain so much for me??? about me???

like, i kinda felt like a bad queer for not finding as much enjoyment from f/f fanfics but… this is why. i have trouble finding anything with suitably angtsy/dark/complex/anything other than fluffy content. wow.

You can tell someone's fandom age by how aggressively they save fanfic

nyxelestia:

2014-present: lol why bother?

2007-2014: I know I should, but the likelihood of losing it isn’t that great, so I’m not too worried about it…

2007+: omfg save EVERYTHING! YOU NEVER KNOW WHEN THE FIC OR THE USER OR THE ENTIRE GODDAMN WEBSITE WILL VANISH AND YOU LOSE YOUR FAVORITE FIC F O R E V E R !!!

Re: ‘lol what the fuck are the right reasons?’

obaewankenobae:

I can’t reblog halfhardtorock’s earlier post about ancient 25-year-old fandom baddies, so here we go.

There’s five or six items on this list that are conflating ‘fandom elder’ with ‘any trend OP dislikes,'like the idea that they’re responsible for perpetuating racism/sexism/fetishism/etc. For instance, as an older Star Wars fan, people treat Padme a lot better now than they did in 2005.

I obviously don’t speak for everyone, say, 25 and older in fandom, as we’re not a monolith, but a lot of the other things listed here boil down to things OP thinks are icky to some degree, and is thus incredulous that people would bother to defend them so hard. The original post also balks at the idea that old people in fandom have anything valuable to say, and/or that they’re too high faluting for the newest generation to listen to or take seriously, to the degree that I think some people hear 'fandom history’ and immediately decides to tune out because it’s akin to 'fake news.’ Still, this is a large part of why elders are so seemingly hellbent on protecting ~problematic content. We set up careful boundaries, like the tagging system on AO3 or in kink memes, precisely so it’s more difficult for some wayward youth to accidentally happen upon anything they aren’t ready/willing/legally supposed to see.

Fandom elders are quick to “well, actually” blanket posts on Tumblr about how gross they are for shipping what often gets incorrectly termed incest or pedophilia, for whatever reason (wanting to explore a personal kink from a safe/fictional distance, as a coping mechanism, as a writing exercise). This is because they remember incidences like predecessors to AO3 being shut down randomly, often for vague, unsubstantiated reasons - LiveJournal communities, Geocities websites dedicated to 'slash.’ Again, most of the claims of pedophiliac/incestual content in fandom aren’t adhering to a legal definition of these words at all, but they make people take notice, which makes it easier for them to be shamed/silenced. A lot of written content, even involving actual underage fictional characters, is protected by free speech laws besides, at least in the U.S.

Fandom veterans also work to shut down wank about these things quickly because, in a lot of cases, we’ve done this song-and-dance before. It’s an old meme. We can often sense when an argument is going to devolve into or even started as morality bashing than a substantial, logical point being made, or when someone is there to argue purely for the sake of arguing and has no actual end-game or plan to concede or compromise. Words like SJW and dogpiling and shaming cater to keeping this from happening. It sounds very dramatic, to be sure, but after all, it’s not the 30-year-old Voltron fans on Tumblr going out of their way to harass people.

Again, I am only one person, but my experiences and observations of fandom trends makes me fairly confident that people writing naughty fanfiction on the Internet aren’t going out of their way to groom minors for, um, I’m not even sure? Writing their own erotic fanfiction (which a LOT of us did, probably before having actual intercourse, in many cases, because we felt safe)? A lot of modern morality policing in fandom implies that a 17-year-old finding a kinky slash fanfic and reading it needs to be infantilized and protected. And they are, somewhat, by tagging systems and specifically marked archives that largely exist because when fandom elders were teenagers themselves, they thought it was important to create things like these for both organization and safety purposes, because we wanted a place to explore things of a sexual/erotic nature without being preyed upon or having our intentions demonized, and I would argue that we at least nominally succeeded. It’s surreal to see all that effort now being used as a jumping off point for trying to eliminate that same content, forcing it 'underground’ once more, until the cycle begins anew.

My phone ate the first couple paragraphs of my initial reply, and I feel like it sounded better there. Oh well.

arbutus-blossoms:

Hey guys, sign my guestbook. // Please do not repost nor remove captions.

Fandom histories: Japan

arukou-arukou:

So for those of you who don’t know, my specialty outside of fandom space is Japanese literature and right now I’m working my way towards a PhD. (*insert screaming gif here*) I think it’s really stupid to just absorb all this info, think about it, and then do nothing with it, so I’m going to try to share my occasional thoughts and feelings about the stuff I’m reading here. If that’s not your jam, you can block the tag “arukou attempts academia.” However, if you’re at all interested in knowing what the hell PhD students even do, please feel free to come with me on this weird bizarre journey. And feel free to ask questions if anything’s unclear. I’m trying to write in a way I think is more accessible, but if shit’s weird or unfamiliar, go ahead and hit me up for clarification. I’m also going to cross-post onto a tumblr exclusively for this, so if all you’re interested in is the Japanese Lit and not the fannish stuff, you can head over there and follow. On with the talk!

I know we talk a lot about “Classical fanfic” in the Western canon–Chaucer and Dante were writing fanfic of the Bible, just about every major poet has written poetry about the Greek/Roman deities at some point in time or another, philosophers have imagined conversations with Plato and Aristotle. But Japan has also been plugging away at its RPF for more than a thousand years.

(THERE IS A READ MORE)

Keep reading

[In 2007], this very conservative “family values” group hated porn, and they hated queer stuff even more, and used “but think of the children, it’s pedophilia!” to pressure LJ to get rid of huge swathes of things they didn’t like.  And one time taking down the worst of it wasn’t good enough for them.  No, this was step one on a moral crusade.  If you acceded to their demands, all that did was whet their appetite, and soon they would be back with a new list of demands.

This is why the 2007 strikethrough was not an isolated event, but rather one of a series of events, nor was LJ the only website thus targeted.  It starts with anything that can get labelled “pedophilia” or “incest” because that’s low-hanging fruit.  But they use that to go after anything relating to queer teen sexuality.  Then anything with teen sexuality.  Then once the community is already divided and diminished, they go after anything with non-con.  Then whatever is next on their list.  It doesn’t stop until they’ve won the point and nothing but suitably “family-friendly” fics that match their purity test are allowed.

Which is why AO3 has no morality content in their terms of service.  You can’t break copyright beyond fair use (and AO3 has an expansive view of “fair use” and a team of lawyers on call).  You can’t use AO3 for commercial advertising.  And you can’t post ACTUAL child pornography, i.e. the things that are legally prohibited, i.e. actual photographs or videos of actual children (not teens) in sexually explicit positions–you know, the stuff that actually hurts kids.  Other than that?  It’s fair game.  You can post anything you want, and the archive will not judge.  There is no handle for the Moral Majority Family-Friendly Thought Police to latch onto, no cracks they can exploit to divide and conquer.

We’ve been down that road.  It doesn’t lead anywhere good.

Beatrice Otter (Sept 2016) at https://beatrice-otter.tumblr.com/post/150017919557/tomato-greens-joestrummin-i-didnt-realise-ao3

that-anglophile:

fandom <3

daemonluna:

A million years ago on the internet (or maybe circa 2003-2005) icons for your Livejournal account were a THING. You could have multiple icons for your account (how many varied, and at one point became a paid thing). There were whole conversations had by icon in the comments. In-jokes thrived and flourished. You could pack a whole lot in a 100x100 pixel square.

A million years ago off the internet, my lovely wife and our good friend @zulufic​ were critiquing stories for their writers’ group. And there was a story by a newbie writer with a whole lotta attitude that was just… bad. The kind of badness that verges on incomprehensible.

“What does this even mean, ‘don’t tell so-and-so, shed freak?’“ Barb said plaintively. “What’s a shed freak?”

It was, of course, just a case of a missing apostrophe. She’d freak, not shed freak. But by then, it was too late. Shed freak had become a Thing.

All this goes to explain why I have just found an entire folder of shed freak icons buried in the depths of my hard drive, in a microcosm of fandoms we were part of at the moment.

Due South

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Grey’s Anatomy

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Hard Core Logo

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Stargate: Atlantis

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This Is Wonderland

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X-Files

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There’s a whole other series about the organ hat party, but that’s a story for another time.

hehehe426:

There should be a website specifically dedicated to collecting obscure history knowledge. For instance: Early internet culture, the history of say Neopets, Forum culture and signatures (including Blingee), the history of Gaia Online, the escapades of Anne Rice and similar against fanfiction and the rise of Ao3, 2012 homestuck culture / con culture

I see all kinds of interesting “history” posts on Tumblr concerning these sorts of things and it seems a shame that the information should go to waste eventually buried

I do believe we have something like this for fandom. It is called fanlore.org

the three generations of fanfic:

stele3:

madmaudlingoes:

ledamemangociana:

heymarauders:

livejournal, fanfiction.net and ao3
which one were you?

I HAVE LITERALLY LIVED THROUGH ALL OF THEM WHAT THE FUCK DOES THAT SAY ABOUT ME

Oh bb there is so much more to it than that.

First there were zines, lovingly mimeographed and stapled by our fandom foreparents, and those who remain to us from the Zine Age are powerful and wise.

Then there was Usenet, where formatting went to die. You know not the strength it takes to read 60k fics entirely in Courier New, or the pleasure of a really artistic looking section break marker composed of ASCII characters.

Then there was the Great Schism, as fandoms spread far and wide across the Web, and basic HTML was the whole of the law. Many of us lied our way into private “18+” listservs, and roamed the webrings, lamps aloft, in search of one virtuous author (or at least somebody else who shipped the thing).

From this dark age rose FF.net, that pit of voles from whose bourn many a hungry reader has returned, starved for citrus and heartsick from the cutesy author notes.

And FF.net begat Livejournal, which allowed easy archiving, threaded comments, flocked posts and invite-only communities. And it was Livejournal, in its death throes, that begat AO3, which once seemed like only a utopian vision and now bestrides the world like a Colossus.

I remember reading/posting fic on disparate message boards and being very nervous when people started talking about putting all their fic in one centralized, multi-fandom location. Even after LJ, I would usually put my fic up on a separate webpage then link to it on LJ. Let’s just say that when Strikethrough 2007 and Boldthrough happened I muttered a quiet, “Toldja so.”

heres how we’re gonna get rid of the racist finnpoe fics on ao3 TODAY:

yourshipisfine:

finnsajedi:

Heres where you can report them all: http://archiveofourown.org/abuse_reports/new

It’s a very quick process & I know that if we all work together we can at least get these fics taken down temporarily. So if you’re tired of racist finnpoe fics and the white women who bully Black & Brown fans please report these fics. All you need to do is go on to the ao3 abuse reports link & then you’ll be asked to provide a link to the racist fics & comment on why you’re reporting them. If 100 people (and I know we’re WAY more than that) report all of these today, they won’t be there tomorrow so do this. Here are the first fics we’re gonna take down: 

1. From ao3 user beautifullights: http://archiveofourown.org/works/11976756/chapters/27087669

2. From ao3 user Zoe_Dameron: http://archiveofourown.org/works/11389914

3. From ao3 user linatrinch: http://archiveofourown.org/works/11373663/chapters/25463715

4. From ao3 user Sourlander: http://archiveofourown.org/works/11746452/chapters/26471916

5. From ao3 user AuroraLynne: http://archiveofourown.org/works/10818921/chapters/24003876

6. From ao3 users MayGlenn & asingerofsongs: http://archiveofourown.org/works/11677203/chapters/26281677

7. From ao3 user Nytemere: http://archiveofourown.org/works/11961894/chapters/27048516

8. From ao3 user imaginary_golux: http://archiveofourown.org/works/12060285/chapters/27312354

9. From ao3 user ancientreader: http://archiveofourown.org/works/11851545/chapters/26756754

10. From ao3 user OnceUponAGalaxyFarFarAway: http://archiveofourown.org/works/10271009/chapters/22747601 

These are the people who’ve created/consumed/supported really graphically violently anti-black and anti-latinx content as well as rape fics. So I’ve linked all their most recent fics because we know that’ll upset them the most to get it taken down. If they think they can bully us into shutting up about their gross racism now they know they sure the fuck can’t! 

Thanks for compiling a Finn/Poe rec list!

FYI, here is what the AO3 TOS has to say on harassment.

“Harassment is any behavior that produces a generally hostile environment for its target. This includes activities such as bullying and hazing by groups of people as well as personal attacks by individuals. Not everyone agrees about what is offensive and unacceptable. Individual users are encouraged to try to resolve problems on their own before contacting the abuse team.“

So, making a list like this and encouraging followers to report the fics to Abuse could be considered harassment.

the three generations of fanfic:

madmaudlingoes:

ledamemangociana:

heymarauders:

livejournal, fanfiction.net and ao3
which one were you?

I HAVE LITERALLY LIVED THROUGH ALL OF THEM WHAT THE FUCK DOES THAT SAY ABOUT ME

Oh bb there is so much more to it than that.

First there were zines, lovingly mimeographed and stapled by our fandom foreparents, and those who remain to us from the Zine Age are powerful and wise.

Then there was Usenet, where formatting went to die. You know not the strength it takes to read 60k fics entirely in Courier New, or the pleasure of a really artistic looking section break marker composed of ASCII characters.

Then there was the Great Schism, as fandoms spread far and wide across the Web, and basic HTML was the whole of the law. Many of us lied our way into private “18+” listservs, and roamed the webrings, lamps aloft, in search of one virtuous author (or at least somebody else who shipped the thing).

From this dark age rose FF.net, that pit of voles from whose bourn many a hungry reader has returned, starved for citrus and heartsick from the cutesy author notes.

And FF.net begat Livejournal, which allowed easy archiving, threaded comments, flocked posts and invite-only communities. And it was Livejournal, in its death throes, that begat AO3, which once seemed like only a utopian vision and now bestrides the world like a Colossus.

And that is why old people are so tired. We used up all our energy finding fan fiction in the 90’s.

me, concluding my explanation to a 19-year old about what a “webring” was
(via zarhooie)