November 2016

Highlights from the .txt doc in which I kept up running commentary on all the fic I read in 2003:

tafadhali:

Anyway thank you for sitting through this presentation on my 9th grade self, pls travel back in time and tell me that Star Wars and Star Trek and a new HP book would be some of the biggest cultural touchpoints of 2016 (and also that I would fall down a black hole of Les Mis fic at the same time)

Hello! How does Livejournal work? I don't quite understand it. Do you have individual profiles where you post your work and people go read it or...how do fandoms work on LJ? Thanks.

olderthannetfic:

Each LJ account is a journal, just like each Tumblr account is a page of all of the stuff you’ve reblogged or posted. You could “friend” people, which made them show up in your “friends list”, which is like a Tumblr Dashboard.

Each account also automatically has a “profile” or “info” page. This is like the terribly underused profile pages on AO3 or like a Tumblr “about me” page or sidebar. The difference is that, on LJ, the page is always there whether you choose to do anything with it or not. In addition to whatever text the person has added about themselves, there’s also an “interests” section where you add site-wide tags. When somebody clicks on the tag for ‘slash’ or ‘meta’ or ‘vidding’ or whatever, they see a list of all of the accounts that have put that tag on their profile page.

Some people posted a lot of fic to their journals. I didn’t, and most of my f’list didn’t. More often, our posts were journal posts (how my day went, info about my new cat), meta about fandom, descriptions of whatever con or event we’d just been to, and that kind of thing. People also posted news: I found out about Yuletide that first year it ran from my whole f’list promoting it.

The big difference is that LJ posts cannot be reblogged. People respond in threaded comments discussions on the original post, which stays where it was originally posted, on that person’s LJ. Another difference is that tags on a specific post can only lead you to other posts on that same journal: If I’ve tagged my posts ‘meta’, and you’ve tagged posts in your own journal ‘meta’ also, there is no way to get a feed of both of those together. So, unlike Tumblr, if I want to tag all of my Poe stuff with ‘TFA’, those posts won’t get mixed in with The First Avenger or whatever else might use the abbreviation ‘TFA’.

LJ also has “friends lock”, so you can show different posts to different sets of people.

LJ communities are a different type of account: people with personal livejournals can post to a com, and it will show up in that com’s page but attributed to the original poster. Many fandom coms were mostly fic posts. Others might discuss canon or serve as newsletters linking to posts related to that fandom on other journals.

LJ’s features evolved over time. It eventually became easier to search for other fans and communities by interests and to search for posts by text they contained. The search got worse again in recent years after some Russian drama. But, overall, LJ was never very easy to search, and I never thought it was a good place to post fic. During the LJ years, I did a lot of my fic reading on archives: Fanfiction.net, Mediaminer.org, the old Yuletide archive (before it was imported to AO3), FictionAlley, Slash Cotillion, etc.

LJ did feature a lot of embedded art, but its native image hosting capabilities were a late addition. LJ fandom is much more about text than art/visuals. Some people are very happy about the move to Tumblr because their favorite thing is fan art, and that’s king on Tumblr. Other people miss the threaded discussions of LJ and don’t like how meta has all but disappeared on Tumblr.

Dreamwidth (DW) is similar to LJ. There have been other LJ clones that were important to fandom, like Insanejournal and Journalfen. Both LJ and DW are still somewhat active, though nothing like LJ was at its prime.


If you’re asking how fans found each other, most of my LJ friends are people who made interesting comments on the posts of other people I already knew. Some are people I found through communities for our shared fandoms. Some I found by looking at my friends info pages–which show who else you have friended–and checking out all of the journals listed. A lot were also people I knew prior to LJ from mailing lists and archives, and some were people I met in person at conventions or at school.

shapeshiftersinc:

When I was a small person who read nearly everything, my cousin gave me a handful of hand-me-down fantasy paperbacks. Three of these were the start to David Eddings’ The Belgariad, a fantasy epic that in retrospect sparked my ongoing love for secondary characters.

And one was Anne McCaffrey’s Dragonsong.

I came into Pern by way of Half-Circle Seahold and Menolly the Harper-to-be. My first dragons were her nine singing fire lizards. Menolly left the harsh constraints of home when her father beat her for composing music. She immediately imprinted on a clutch of tiny dragon eggs, foraged and hunted for herself and her beasts until the Ninth Fall caught her outside. Her story ran parallel to the main Pern trilogy, filling in the gaps to a greater epic. (Secondary characters. They’re my favorites.)

Menolly named her gold fire lizard Beauty, an apt enough name but not one I wanted for my draconic gold binder. I went with Faranth, leader of the first clutch to defend Pern’s human colonies from the Fall. (Distant sci-fi backstories being another weakness of mine.)

I wish, I wish Pern fandom had been allowed to flourish. Like Menolly, fandom ached to create, created brilliant things in spite of all the restrictions set around it, and was beaten down in turn. McCaffrey was desperate for a film deal, and she and her publishers were convinced that derivative works would set a fatal precedent for the story to be taken from her. She had an active legal team which sent C&D letters to fanartists and fanfic authors for decades, had fan websites shut down, and enforced a series of draconian (ha) content rules on the few that were allowed to survive.

Like her fictional society, McCaffrey was also heavily and violently invested in strict gender roles. Straight women to gold and green dragons. Straight men to bronze and brown. Gay men to blue. Lesbians do not exist. Bisexuality is not real. These were not only canon standards; she explicitly forbade fanworks that transgressed any of these rules. Her lawyers enforced these on the fans - literal children, in many cases - who most needed an outlet for gender nonconforming fiction. 

(If any trans character made it into fanwork, that fan creator hid it well. There was never even an explicit prohibition.)

Queer fandom will never forgive McCaffrey for this. We’re all older now, and we remember.

The Faranth binder is a gold dragon for transmasculine people. It is at once a salute to an old fandom full of dragonlore where many talented creators began, and a middle finger to the canon where we did not exist.

If the McCaffrey estate comes after me for this, I’m renaming it Mokhachane.

shapeshiftersinc:

Jason Todd was killed in 1988 by a telephone poll of the fans. That sounds fake, but it really happened. He’d been Robin for only five years.

The arc was called A Death In The Family. The second issue of the four-issue arc ended on a cliffhanger: Robin, tied up in a warehouse with a bomb. The back pages of the issue included a 1-900 number inviting fans to call within a 36-hour window to vote: should Robin live or die?

For those not in the know, 900 numbers are set up for premium charges. DC Comics must have made bank: a little over ten thousand votes were placed.

Rumor had it that someone with autodial, a grudge against the new Robin, and money to burn placed over a hundred votes for ‘Die’. If that’s true, then that one anti-fan could be said to have single-handedly killed Robin. Jason’s fate was sealed by a margin of 72 votes.

When Jason came back from the dead, he seemed to know he’d been murdered by his fanbase. He was angry at everyone - including the readers! - and he survived the next several years of rough treatment in comics out of sheer spite. I couldn’t help but be charmed.

A Robin binder may be purchased in Superhero Binders. If someone buys a Tim Drake version, the resulting essay will be voluminous.

Do NOT trust Anne Rice

rsasai:

Hello, Vampire Chronicles fans.

Sit down. We need to have a chat.

You see, while some people are very much excited for a new show about our pompous king of the assholes (and I say this as a term of endearment, having loved Lestat since I was a depressed teenager living in New York, shuffling through my mom’s fiction section) we need to pause and remember this:

Anne Rice does not support fan fiction or anything that is not glowing praise.

Read it again, slowly.

Anne Rice does not support fan fiction or anything that is not glowing praise.

This is difficult for younger fans to understand, but let’s take a walk down memory lane.

She has threatened to sue writers in the past. She is one of the most prolific writers of our generation, and she does not support people using her characters for their own work.

In fact, in 2000 she went on a binge-attack against her fans. She threatened legal action against fans who wrote or drew her characters, but especially those who wrote with them. She sent them weeks of harassing letters and doxxed them on the internet.

Let me repeat that.

She doxxed people who wrote fan fiction.

She harassed them online and threatened to contact employers.

She used her fans to outright attack other fans.

This isn’t even something she can just shake off now, with the comment of “It was so long ago” because she did this to a writer who wrote commentary on her story in 2013.

In 2013.

While it was not that she wrote fan fiction, she still shows that she has no respect for people who are in fandom.

Remember those disclaimers used in fan fics, at the beginning? “I do not own …. ”? Yeah, a lot of that has to do with the fact that Anne Rice and others like her would attack fandoms and threaten them, and was in hopes that they would just leave us alone. She didn’t.

In short: Do not trust Anne Rice. I love her writing, I have read every book she has even written, but I do not trust her.

You shouldn’t, either.

web1995:

YaoiCon 2001

From Fanlore, the fan run wiki about the history of media fandom:

“The first public discussion of K/S may have taken place at SeKWester*Con, Too  [1977]  in the form of a panel called Kirk and Spock: Do They or Don’t They?. [9]  

It was, by all accounts, the most well attended event at the convention and quite boisterous. 

On the panel were Leslie Fish, Gerry Downes, and Gayle F., Carol Frisbie, editor of Thrust, informed the audience that Gene Roddenberry knew about K/S and had told them that, “as long as it stays underground, and away from the mothers of America,” he had no problem with it.

Parts of the panel went unintentionally public when a problem with the hotel sound system inadvertently projected the voice of Connie Faddis reading aloud from an explicit story into the hallway.  

And while the panel was controversial and generated loud objections (see the LOCs in issues #12 and #14 of Menagerie), the convention organizers pointed out afterwards in Menagerie that when the panel was announced in the convention progress report: “Ten people volunteered to be ‘pro’ the K/S relationship; no one volunteered to be 'con.’ We had to draft the opposition.” (Panelist Theresa H. revealed that she and other “anti”-K/S fans had felt intimidated by the “pro” side and that many of the fans she spoke to had been afraid to be “emotionally involved.”)

Also see: The SekWester*Con Porn Debate and The Sound and the Fury: The First Panel Discussion About K/S.

For a broader discussion of these issues see: Slash Controversies and History of K/S Fandom.

elfoftheforest:

can you imagine like ancient history fandoms. the odyssey fandom. buying odyssey merch like pots and shit. “what’s your favourite part?”. “i’m a homer fanboy, i heard all of his stories”. your monster slaughtering discourse is problematic.

merindab:

That post about LJ and fandom history had my curious. I wasn’t really into fandom before tumblr, but I was on LJ for quite a while, so I peeked at my account.

I joined LiveJournal in October of 2004, and really picked up with it in 200). I posted most consistently from 2005-2008, finally petering off in 2009. Last entry is October 2010, but really from April 2009-October 2010 it’s 99% LoudTwitter.

I haven’t even really tweeted in quite a while either.

I joined tumblr in late 2012.

I wasn’t really in fandom before tumblr. It was my journal thing and I had friends from Nanowrimo there. I don’t recall what I did between LJ and Tumblr… maybe just Facebook? I know before LJ I was on MySpace a little bit.

And I’ve always been in chat rooms. It was ICQ for quite a while. and AOL. and the Nanowrimo room (Which was/is IRC), and later Skype, which is where I hang now…. pretty much always if anyone ever wants to chat. heh.

bruinhilda:

Reflections in a Shattered Glass by Joe Nazzaro, illustrated by Susan Lovett, 1989.

Oh my god, where to begin?  Yes, it’s written by a fan who went pro, and illustrated by a fan art legend.  It had the full approval of Terry Nation, who wrote the forward for it.  For all that it’s a typical stapled booklet fanzine, it’s professionally typeset and printed.  And the story is absolutely amazing.

A freak teleport accident sees Vila and Avon transposed with their opposites in an alternate reality.  In this mirror universe, Blake is the Federation’s top agent, running a crew of the most vicious psychopaths on the Vanquisher II, a captured alien vessel.  Their mission is to obliterate the resistance wherever they find it, and now they are seeking the leaders of that resistance: Travis and Servalan.  Vila and Avon are hard-pressed to keep what’s happened a secret while they simultaneously try to get back while avoiding being casually murdered by their crewmates.  This is complicated still further when they discover their counterparts are actually resistance themselves, putting them right in the middle of the madness.

There are fascinating character differences in here with the alternates, which alone would make the story worth it.  Vila is a tough, sarcastic brawler, always ready for a scrap, and Avon is meek and mild.  Travis is honorable and levelheaded, Servalan kind and caring.  Cally is a full telepath, and like all the Auronar, a spymaster for the Federation (predating Psi-Corps by 5 years!)  Gan and Jenna are vicious, conspiring killers.  Blake is a terrifying, cold maniac (and the sole reason the crew haven’t killed each other long ago.)

Our “heroes” are disturbing, the story is memorable (if a bit soul-scarring at points) and the interior art is amazing.  If you can find it, get it.

I think the answer to that is short. And perhaps it’s simple or very difficult, depending upon who you are and how you feel. Besides suggesting that there is a tomorrow, that there is challenge and romance in the world, besides suggesting that it’s not all over, STAR TREK said something else, and I wonder if you felt it too, because we meant to say it. It goes rather like this: "You human biped thing called man, you strange creature, still you’re awkward and often illogical, you’re weak, vain, but damn it, you’re also gorgeous.” And we were saying, “Hey, we love you.” And I think that’s what it was about, really: “We love you.

From a 1975 issue of “Star Trek Prospers” (where its source is not credited), Gene Roddenberry answers the question “What is Star Trek about?”  (quoted on Fanlore, the fan run wiki about media fandom)

I was thinking that the history fandom would find some balance again yet all these ship wars and reblogs of users misinterpreting what one says are quite disappointing. Especially when I used to enjoy reading all the different opinions yet now all I see is entitled users who give an air of thinking that their opinion is the only right one.

essequamvideri24:

Oh yes it’s a bit discouraging isn’t it? And I’m sorry if I’ve contributed in any way to this impression, I’ve been doing my best to try not to abet or incite any nonsense.

Growing up in internet fandom in the 00s, remembering:

motleystitches:

1. ff.net banned NC-17 fics

2. The moment you signed a disclaimer for reading fics that you’re 18 years old when you’re actually 18

3. Trying to keep up with the threads on Yahoo mailing lists

4. Exploring fanfic archives through “Web rings” of fic sites

5. Livejournal: drabbles, ficlets, vignetts, comment fics, lj communities, when OkCupid was funny personality quizzes

6. Learning about society (and social psychology) through Fandom_wank

7. Discovering ships via ship_manifestos: also, words like “plotbunny”, “squee”,” guh”, “squick”, “plotsheep”

8. Yuletide fics is Happy Holidays for EVERYONE- fic recs everywhere

9. Wanting fanfic Awards in the form of icons you can put on your fic site and respecting the fics that had those icons

10. The joy of browsing fics via Del.icio.us (TAG SYSTEMS RULE)

bruinhilda:

Front cover of Gambit #3 (US version - there was an Australian zine of the same name) by Judith Boguslawski.  298 well-printed pages of fanfic, indexed by series.  I’ve yet to find an issue that was a dud.

One of the interesting things with Gambit in general is that there’s always at least one UA fic.  (Universe Alternation - something happened differently from canon and the story veers off into new directions.)  As this is a type of fanfic I adore, Gambit is one of my favorite zine series.  #3 has “Stealing’s Quicker” by Nancy Klauschie.  At the end of Powerplay, when Vila wakes up, Avon talks with him privately with a proposal:  Vila should be in charge of the crew.  Avon wants the ship, but he doesn’t want to lead Blake’s Crusade, and he certainly doesn’t think he’s the person to keep all the crazies in line.  He knocks down Vila’s “stupid delta” facade, pointing out all the ways the thief is the best person for the job.  And Vila rises to the occasion admirably.

There’s quite a lot worth reading in this; definitely a must-buy if you come across it.

!

Follow on Facebook?

uispeccoll:

If you spend time over on Facebook, we’re there too.

https://www.facebook.com/uispeccoll/

University of Iowa is where the OTW’s Fanzine collection (and the Ming Wathne Zine Collection, the Sandy Hereld Zine Collection, the Morgan Dawn  Zine and Fanvid collection) resides

@fanlore_news: #Fanlore is preserved by the US #LibraryofCongress’ #AmericanFolklifeCenter. Their archive head tells us why https://t.co/PCfHcpIjKC

unofficialfanlorenews:

from http://twitter.com/fanlore_news
via IFTTT

man-from-uncle-slash-recs:

Illustration of Napoleon placing a ring on Illya’s finger. From Elizabeth Urich’s zine Perestroika (1991). Art by Suzan Lovett. 

Case Study: An Archive For Fiction of ‘Literary Merit’

image

Fascinating read about a multi-fandom archive based in Australia called skyehawke. In 2005, Australia passed stricter child exploitation laws and the archive revised their terms of service to allow people to report fanfic for removal. They created a reviewboard called the “Illiterati”  which invited authors to defend their work to avoid deletion. Muddying the waters was the fact that the Illiterati  were tasked not only with reviewing underage fanfiction, but were intended to scrutinize a wider range of objectionable text, including non-con fanfiction involving adults and other types of banned fiction that was written for sexual titillation. There was much confusion.  More about the archive here.

Some of the solutions that the archive adopted in 2005 may be similar to the current  debate as to whether AO3 should start reviewing and removing fiction based on content  

Banned  fiction and nonfiction was defined as text that was:

- inflammatory
- prejudiced
- bigoted
- exploitative

Especially (though not restricted to) where it is or can be justly and reasonably seen to intentionally sexually titillate (while having no ulterior motive beyond sexual titillation) in situations of sexual violence or indecency as defined by this Terms & Conditions (see below).”

They explained why they chose these things.:

“…..If we used racism and sexism rather than ‘bigotry’ in the "Terms and Conditions” and somebody posted a story that revolved around how old people were stupid and their religion was “tehbestever!” and everybody should convert or “burnineternaltorment!11!” (as some of you might remember from the infamous “Harry Potter Discovers God” posting at fanfiction.net) we’d be unable to bring up formal complaints against that story because it didn’t fall under racism or sexism - yet the intent behind what we were trying to say (i.e. no prejudice or bigotry) would still be there.  Rather than handle the vast amounts of arguing, we use a broad term.  However, because we wanted to make it very clear we explicitly state that 'exploitative’ does include underage ('chan’) stories that are 'indecent’ and 'sexually violent’.  (Now those phrases have been explained to utter death, refer to the clarifications link above for exactly how they apply please for information).“

The restrictions were lifted if:

"These restrictions are exempted where artistic (or literary) merit and/or educational and/or scientific purpose exists. ”

which then led them to this explanation

“And of course: "What do you mean by literary effort? What’s the exact definition? How can we tell? What about the fact that we’re being judged - why should we be judged?”

First, literary is an open definition - it changes from story to story, fandom to fandom.  Pratchett has been 'accused of literature’.  The Bronte sisters’ works were not literature until after they died.  I read a college literary novel while I was in America called “Push” which revolved around the life of a girl who was raped as a child by her father.

“Literary” means the Illiterati are looking for a storyline, a plot line, character development (check out the later Laurell K Hamilton’s Anita Blake books if you want to know how character development can intersect with smut), themes, metaphors, similes - something - in the questionable circumstances that have placed your story before them.  

“Effort” means that you TRYING counts even if somebody (probably the complainer) thinks you failed.  It also means that the Illiterati are going to be looking at YOU to tell them you tried.  

So YES, saying “But I was saying THIS how can you think I meant THAT” is a valid defence.  

The Illiterati does have the power to make a decision that doesn’t involve removing your story - for example, they could ask you to put an author’s note explaining what you intended at the end of the story.  YES an author’s note - that’s all, so that the people complaining understand what you’re trying to say.  That way they stop flaming you - and we stop having to deal with their exclamation marked emails.

The last thing anybody wants is to delete or remove a story - but it might happen, which is why we’ve built this entire process where you can defend yourself and talk it out and come to an agreement.

“Judging” - somebody has to judge.  It was either the administration team OR a group of people unaffiliated with the administration (also, unlikely to be really stressed, tired and likely to take the fastest solution if it meant they could get back to doing something else like getting the archive back up).“

In this post the archive went into some detail as to what stories could be challenged.

An excerpt:

- if you write non-consenting porn between adults , this will only apply to you if it can be seen as a rape fantasy. What makes up a rape fantasy? This is the job of the Illiterati to figure out. BUT these are the guidelines that they’ll follow:

- the entire thing is about rape and how turned on everybody is by the fact that it’s rape
- it encourages you to go out there and rape somebody because it’s so fun and healthy

NOTE: stories that intend to disturb you BECAUSE it’s a rape are free and clear. How do we tell the difference between stories intending to disturb you because it’s a rape and stories that are out to turn you on because it’s a rape? That’s the job of the Illiterati.“

In the end, only a few stories were challenged, with some authors choosing to delete their fiction if they felt they might run afoul of  the new TOS. After ten years, the archive is still operational.

Greater detail can be found on Fanlore, the fan run wiki about the history of media fandom.

luscious2:

The Stranger Things Series by Esmeralda is an important part of the Spander history. It’s an epic series that consists of many chaptered stories. Interestingly, the author started writing the fic before S5 aired in the US, so Spike’s backstory is different than canon. I love the adventures the guys go through, and my favorite of all the stories is The Promise where Penn shows up and things get scary and bloody! That chapter was intense. 

The only downside for me is the way Xander is written, the author admits she wrote Xander with his S2 image and characterization in mind. So he reads younger than he is in S4. Other than that I adore the series so much, especially the Angel/Doyle pairing. 

Shakatany said about the series, “It veers off canon in the 4th season. In the first story “The Deal”, Spike, in order to rescue Xander from becoming a demon sex toy, needs to prove his “claim” on the boy. Unable to be the one to penetrate a virgin Xander because of the possible pain setting off the chip, he must persuade and guide an astonished Xander to be the “doer” in front of his demon captors. In the next story, “The Arrangement” Spike and Xander decide that they have something real but the chip is an obstacle so Spike takes Xander to LA so Angel can “break him in” with Spike in attendance. Esmeralda stage manages the three of them beautifully and logically but of course Xander is Spike’s and eventually he can claim his boi. In subsequent stories Doyle joins in the fun as Angel’s companion and there is a time or two that it’s the BtVS version of “Bob & Carol & Ted & Alice”. However the series is more than just PWP. There are major obstacles in the path to happiness like the return of the Initiative and Angelus.

Esmeralda is a very capable writer and her characters ring true even as they depart from canon into slashheaven. The first story “The Deal” was written in 2000 and since then this series has grown into 9 complete multi-chaptered stories and a 10th which is a WIP. It’s up there with “Repossession” and “Quantum Xander I&II” in the length department. There are not many writers out there who have been writing as long as she has and is still producing fabulous fics. Go and enjoy.”

Due South Archive is Coming to the AO3!

shelikestowakeupandjustfakeit:

arallara:

solarcat:

cesperanza:

transformativeworks:

Bahasa IndonesiadanskDeutschEnglishespañolfrançaisitalianomagyarNederlandspolskiportuguês brasileiroportuguês europeuРусскийsvenska

Due South Archive (DSA) a Due South fanfiction archive, is being imported to AO3! https://goo.gl/duzBo8

GUYS GUYS GUYS GUYS!!!  It is I, Speranza your friendly neighborhood archivist, and I am SO HAPPY that this is finally happening for the DSA!!!  This was one of my own personal reasons for founding the OTW mumblety-mumble years ago, to protect this archive that dates back from 1994!  I am the sixth and last archivist of the DSA and I have stood here, faithfully, in my Stetson, with my horse, waiting for the cavalry to relieve me - and now it has come! 

If you get an email from the AO3 asking about your stories, please do approve their being adopted into the Due South Archive collection!  And please do add your stories TO the collection once it’s established - the DSA database has been wonky for some time, so it has been unreliable as a source for new fic, but Due South is a fandom that people come back to, because lo, it is awesome.  

Originally posted by mycornerrofthesky

Originally posted by camphalfthrones

ALL MY DREAMS ARE COMING TRUE

I think a lot of it stems from the social justice concept of ceding to people who have a marginalized identity in discussions about that identity/community. Like a lot of things, it’s an idea that’s necessary (because of situations like cis men being in charge of making decisions about women’s healthcare policies), but is often taken to an extreme that can’t be sustained because, well, people do have different opinions, and if your policy is to accept whatever someone says as objective truth just because of their identity, then you’re probably not accepting or acknowledging other viewpoints within that community.

I think the same idea has bled over into discussions of shipping. A person’s survivor status is regarded like a credential, but people miss the distinction between respecting someone’s personal feelings and taking them as law.

FFA “Where Antis Started”

Personal essays about fandom history?

wrangletangle:

There’s been a lot of interest in posting about fannish history lately, and there were several positive responses to my casual proposal that we provide a more permanent and searchable home for these essays, so I have a suggestion.

Is anyone up for posting personal essays/reminiscences about fandom to AO3? Here’s what I was thinking:

Thoughts? Additions? Subtractions? If there’s enough interest, I’ll try to rustle up some folks to mod, but I want to get a sense of what people want first.

man-from-uncle-slash-recs:

I’ve become increasingly fascinated by the diverse and often idiosyncratic art, which appeared in Man from U.N.C.L.E. fanzines. Here is the cover of the 1999 zine Other Times, Other Affairs, featuring Illya as a merman. (Image from fanlore.)

trashmouse:

For anyone who thinks that fandom wank and vicious ship wars ruining fan communities is a new thing invented by Tumblr, I invite you to go read this account of Ms.Scribe from the Harry Potter fandom back in the early 2000s (there’s even a part where she made sockpuppet accounts to hurl racist insults at herself).  And then I invite you consider the fact that even then, this sort of shit in fandom was not new.

ink-knight-nerd:

So I did a speech on the history of fandom and have been considering posting the outline here to share with people. Would anyone be interested in reading that? It’s six pages long in OpenOffice, not including sources, and was about 7 minutes long when I gave it in class.

yes, I would!

I think it was a natural consequence of the idea that art is activism, and society needs to be shaped and inspired by art directly - and therefor didacticism is not only welcome but required.

FFA “

Where Antis started

Here is some fandom “oral history” for you guys

olderthannetfic:

copperbadge:

Inspired by some posts I saw today: 

When I joined fandom in 1995, we had usenet, which was pre-world-wide-web, but was basically a nonthreaded messageboard. Usenet and email lists were the only way we had of distributing fanfic digitally at the time, and I hung out on both, but both were split up by fandom – you had two usenet groups for X-Files, a mailing list for Due South, et cetera. By the time I went to college three years later, the web existed for most of us and was accessible, so we also had archives, but all of the archives had started out as ways of storing fanfic posted to usenet (Gossamer, an extensive x-files archive, is an example). 

You could also put up a personal archive at geocities or tripod or angelfire, which were the precursors to “build it yourself” sites like Wordpress and Squarespace, in that you had to hand-code all your html or build it in programs like DreamWeaver. Once you had put up a fansite, you could join a “web ring” which was a bit like a friendslist only there was no post aggregator – you had to visit each site of the ring in turn in order to see your friends’ sites. Web rings were really more so that once you found ONE fansite in a fandom, you could go to all the rest as well. They weren’t for the webrings’ actual members. And unless you were super fancy at coding, people would have to email you if they wanted to leave feedback. 

So when I went to college in 1998 and essentially dropped out of fandom (because college), the closest thing to AO3 that existed was a single-fandom archive where you could only get your fic uploaded by contacting the owner of the archive and asking to add it, or being contacted by them to see if they could (Gossamer actually was an exception, it auto-archived any fic posted to alt.tv.x-files.creative).

It was much more likely you’d just have a fanpage you owned and maintained, and you’d post fanfic there, and then you’d send out an email announcement to your readers. Using a mailing list that you probably kept stored in a text file because contact lists in email wasn’t really a thing yet. 

In 2003, five years later, I came back to fandom because I started re-reading the Discworld books and wrote a bit of fanfic for them, and I googled “where to post discworld fanfic” because I just didn’t know anymore.

(Things that also didn’t exist when I left fandom: Google, in any meaningful sense. We used Dogpile or Altavista or Yahoo.)

I had thought I was going to have to build a fanpage and then find a mailing list or a messageboard to post to in order to get the word out, but what I found was fanfiction.net.

Now, FFN is a pit, don’t get me wrong. But in 2003 it was also revolutionary, one of the only archives of its kind and certainly the only one with any significant population of fans. AO3 didn’t exist. Neither did Dreamwidth or Tumblr. LiveJournal was invite-only. I got a LiveJournal account by begging an invite code off someone who left nice comments for me on FFN. And in 2003, in particular, it took a long time to realize FFN was a difficult, terrible place; back then the “no adult material” was basically a show-rule nobody followed, and if you were in a civil fandom like Discworld was (and continues to be) it was quite a pleasant place. 

AO3 was a leap forward. The user interface is so much better and it’s a smooth-functioning site which allows for adult material, easy tag searching, custom skins, and fast downloading. But I have fond memories of FFN, because when it first appeared, it was the only one of its kind, and a multifandom archive was pivotal in bringing fandoms together in a way nothing else up to that point had been. Before FFN and LiveJournal, multifandom gatherings were almost exclusively contained to conventions and meetups, which were expensive, tough to get to, impossible for kids to attend without alerting their parents to their fannish ways, and tended to be exclusive of – well, from what I’ve heard, any fan who wasn’t a middle-aged white male or spouse thereof. Panfandom mailing lists didn’t really exist; I think we would have seen them as weird, because to our minds we didn’t really have anything in common. We were fans of X; why would we hang out with fans of Y? Fannish culture did exist in the macro sense but a lot of us weren’t conscious of it, even when we moved from one fandom to another. 

I guess what I want to say is that the history of where we are today doesn’t begin with FFN or LJ or any of the other early-millennium hellsites, obviously. But in the history of fandom they are one spot that the big obelisk from 2001: A Space Odyssey would show up. And I thought it might be interesting for kids who came into fandom with AO3 already established would like to hear about the earlier days. 

Nostalgia!

When I think about panfandom mailing lists and this sort of history, I’m thinking about fanworks fandom, and while there are certainly parts that have male-dominated in-person gatherings, the ones I was familiar with back then were majority female, regardless of fanwork content. (SF fan gatherings without a specific fanworks focus are another story, obviously.) But, that aside, there is one place that a pan-fandom consciousness did arise much earlier than in the rest of fanworks fandom: slash fandom.

People were self-defining as “slashers” by the early 90′s and consuming a sort of Canon of Slash that included things like The Professionals and then quickly exploded into due South, The Sentinel, and the Methos parts of Highlander. I wasn’t aware of Virgule at the time, but it’s telling that there was this one secret list that was The Slash Mailing List back then.

I think this is one reason that a lot of fannish history projects on fanworks fandom seem to focus on slash or feel (to some) like they’re weighting slash too heavily. Star Trek Fan (who may or may not like fic) was a thing way back. Panfandom Slash Fan was a thing. Panfandom Het Fanfic Writer wasn’t as much.

(Het zines outnumber slash ones as far as I can tell, but there wasn’t the same sense of identity forming around writing the unmarked, “normal” het instead of the very definitely marked slash, and being in “Media Fandom” didn’t mean quite the same thing as being in “Fanworks Fandom” does. I mean, we tend to talk about “Media Fandom” as fic writers today, but I see plenty of early uses of that term where it’s blatantly about TV/movie fans vs. book fans with no reference to fic at all. F/F was written occasionally, but I didn’t see it being a big identity thing until the 00′s in this part of fandom. Xena was a lot of people’s first and only fandom, unlike, say, The Professionals, which was full of slashers from Starsky & Hutch and other fandoms looking for the next big slash pairing.)

A few years later, I was in a lot of Yahoo Groups for “yaoi” fans wanting to write m/m pro novels or to workshop longfic alongside original fic. That was a very pan-fandom environment too. I don’t just mean that multiple fandoms were represented: I mean that the people in those groups had a sense that they were a member of “Fandom” rather than just of specific individual fandoms. A number of my other anime mailing lists were also multifandom. I think the same kind of thing was going on in yuri fandom: nobody was just an Utena fan.

Anime fandom, even outside of yaoi and yuri circles, had a sense of group identity as otaku and japanophiles, not just fans of individual anime series. (Though, of course, anime fandom has the same issue as “Media Fandom”: it has plenty of members who don’t care about fanworks, so while it might be a pan-fandom identity, it’s not the same one we’re usually talking about on Tumblr in this kind of fandom history discussion.) Even on usenet, a lot of that fic was posted to rec.arts.anime.creative–obviously a massively multifandom space.

FFN and LJ were two of the biggest players in forming a concept of a pan-fandom Fanworks Fandom. I would also count Yuletide. It became very big very quickly and got a lot of otherwise monofannish people interacting in a space that was defined by the overarching concept of fanworks, not by specific media.