October 2016

A Fandom Horror Story

Dear Diary, today I learned that a writer was so furious with a fan for writing fanfic based on her character (which was based on a real life historical figure) that she demanded that the fans write apology letters which her lawyer had to approve. The fans then had to pay to have the letters published in multiple magazines after which they were required to deliver all copies of the stories to her to be destroyed.

In a 1992 letter to the Science Fiction Writers of America she wrote:

“Since I have an absolute horror of burning books, I have decided to find some way other than that to destroy them. I have commissioned a larger-than-life-sized papier-mâché bust of the Count to be made with those copies …It suits my sense of irony, if nothing else, and my lawyer informs me that it fulfills the necessity of rendering the story unreadable.“

Image  Source

was fanfic any different in the Olden Days

gryvon:

kaesaria:

glorious-spoon:

themarysue:

devildoll:

wtfzurtopic:

saathi1013:

some-stars:

actualvampireang:

OH BOY AND HOW. So I am not So Much Of An Old that I was around when print zines were the thing. I got into fanfic-type fandom through the internet. But here are some changes from the late 90s to today:

- In slash fandom, there were a lot fewer main characters written as expressly queer. There was a lot of (in retrospect) very teeth grindingly annoying “We’re not gay we just love each other” type romances. 

- Fic was mostly distributed via mailing lists (email), not by web archives, although some mailing lists also would web archive their stuff. People tended to be more monofannish because you would just participate in the list — people are more multifannish now because we follow specific people through their blogs and get introduced to their other interests, but this didn’t happen as much back in the day. People were definitely still multifannish, though. I’ve always fandom hopped.

- The aesthetic was very different. A lot of older fanfic reads in ways that were more influenced by profic romance novels, whereas modern fanfic has sort of its own, more realist style. (TBH there are also a lot more realistic/pomo style romance novels these days as well.) The stuff from the early 2000s, in comparison to 90s and earlier fic, and in comparison to modern fic, tended to be more experimental stylistically. Overall, fic tended to be longer, but also more uniformly long. There weren’t really many of those 200k monsters either.

- Not a lot of postmodern type fic conceits (i.e. stuff like the one where steve and bucky watch all the movies made about captain america while steve was in the ice, or SGA fic told through excerpts from academic papers, etc.) Early 2000s fandom went through this weird magical realism phase, also.

- In our headers, we used to measure story length in file-size, not in word length. I think this change came about in the early 2000s.

- Real Person Fic was like, not even discussed. It had its own mailing list where we kept basically all of it, and you didn’t mention it in polite company. Then suddenly in 2000-2001 all these legitimate people got into NSync fic. But before that, it was pretty taboo in a lot of fannish circles.

re: point one, there was also an enormous amount of time spent on characters agonizing over being attracted to other men. like, i was reading something a while back that was actually written in 2003 but by someone who’d been in fandom for a long time and obviously hadn’t changed their aesthetic much, and the first time the pairing started making out, one of the guys suddenly had to stop—and i thought it was gonna be like, traumatic memories, or just general intimacy issues, or whatever. but it was because it was ~all too new~ and he had to take a few more days to adjust to the whole gay thing.

oh and then along the same lines you had guys running out to try and have sex with women and fail, or have sex with women but find it so unsatisfying, before ultimately admitting that they wanted this particular dick. also, considering the prevalence of WNGWJLEO, it was oddly mandatory to point out at great length how much each character never really loved his previous female partners.

basically fandom now, at least the well-written part of it, is a million times less homophobic and biphobic and, believe it or not, misogynist. obviously there were always exceptions, especially with the really good writers, and especially as you move into the late nineties. but as a rule, so much improvement.

oh, and every love confession required a full name. Firstname Middlename Lastname, I love you. where does that even come from, seriously?

i will give them this—there was a lot less badfic that was technically bad, like, unreadable and full of errors. shit got edited back in the day. someone was gonna pay money to print five hundred copies of that and they did not want your terrible spelling to fuck it up.

oh, and not related to anything else, but: usenet! usenet was a super important venue for many fandoms. this actually continued well into the 2000s for certain fandom circles—not slash-focused media fandom in general, but there was a lot of overlap. i was reading alt.tv.angel during season two, and there were fic writers i recognized posting there. and of course earlier on, the alt.startrek.creative.* groups were central.

Random things I want to add based on my admittedly-hazy memory:

- elaborate ascii headers/footers/dividers on fic, which were mostly txt files (or bare-bones text-only pages to save archive space) I think?

- faking ages to get access to the adult stuff (which could get complicated depending on what country you were from and what country the admin(s) were from). This sometimes involved emailing an age statement to the owner of a mailing list and them deciding whether or not to trust you (or how much they actually gave a fuck) before giving you the password to an archive or authenticating your whatever to access the whosit, I wasn’t entirely sure how it worked.  Because I was fifteen at the time. Of course.

- There were people who were very adamantly ‘gay stuff is okay in fanfic but immoral IRL.’  Don’t ask me how that worked out logically, but it was a thing.

- DO NOT FORGET THE BEFORE-TIMES when there was no google and there were scattered archives everywhere, from ‘archive of [specific mailing list]’ to authors’ personal archives to pairing- or fandom-specific archives and the way you found a lot of them was like hoping aol or yahoo search would turn up something new?  But on the other hand you had a fair number of folks who were twitchy about having webcrawlies being able to find their porn because fanfic was already kind of side-eyed and porny stuff even moreso.

- there were archivists who actively trawled mailing lists and authors archives and such to compile their own interest-specific archives, sometimes asking the authors if they could host a fic… and sometimes NOT asking.  Cue: wank.

- OR you navigated WEBRINGS (which are like tumblr ‘networks’ I think? I don’t grok tumblr networks but ya’ll have fun with them, I’ll be over here in my rocking chair mmk) where there was essentially a master list of websites catering to a specific interest, sometimes with details but sometimes it was just a name and a link so you had no idea what you were clicking on half the time, you just knew it fell under category [thing the webring was about].

(…tbh, this was probably how I found out about slash, because of some X-Files or Pretender or maybe early SG1 webring, I don’t even know. I just saw “[fandomname] slash archive” and was desperate for new fic in [fandom] and hey presto “boys?? kissing?? GIRLS? KISSING?!! YOU CAN DO THAT? Ship things that don’t match what canon would expect you to ship?? oops now I have an exponentially greater amount of ships than I did before”)(given that description, it was probably stargate because there was a LOT of pretty to go around okay)

- let me TELL you about the recurring firestorm of wank that would rush through every goddamned fandom for at least a 5- to 10-year period there where someone would be like “all same-gender shippy stuff needs an NC-17 warning because that stuff is not okay for kids” and other folks would be like “can we not equate handholding to explicit PIV intercourse solely based on the genders of the participants” and holy jesus it was the EXACT same ugly nausea-inducing merry-go-round in at least six of my fandoms, which is why I am zero percent impressed with ‘family’ networks caving to that bullpockey because My People already hashed that out, get with the times, thanks.

- fanfic archives without search functions, where everything was just listed by date posted and sorted by pairing IF YOU WERE LUCKY.  One sentence summaries with no tags, no warnings, sometimes no ratings.  Sometimes no lengths (see above regarding length measured by filesize).  Because everything was coded in early html and some folks just didn’t want to (or knew how to) code all that.  This is why I give money to ao3, people.  I REMEMBER THE BEFORETIMES.

- oh, and finding That Reccer whose tastes ran similar to your own and posted like 10+ recs a week?  Like Santa and Baby Jesus came down from on high and showered glitter all over you before kissing you gently on the forehead and then disappearing in a double rainbow.  (You think recs help you filter wheat from chaff NOW, it was all the moreso when you had to do all this hunting just to find stuff TO sort though)

- yes this was also before lj and wordpress and basically any kind of rich text editor-enabled blogging platform.  Hand-coded html pages hosted on geocities with terrible font color choices and pixellated blinky tiled gif backgrounds, aw yus.

>midlevel-bofq jazzhands<

Accessibility stuff like the broad, daily use of trigger-warnings or tags of ANY KIND is a relatively new fandom behavior. Like 5-6 years ago, people were still having wars about if trigger warnings were ruining free speech or not (hint: they weren’t).

DISCLAIMERS

Your super elaborate headers usually stated that you did not own anything having to do with your canon and that you made no money off your fan fiction etc etc.

(I still own about dozen Yahoo mailing lists, one of which is fourteen years old and still gets a dozen or so posts a year—a sharp drop from its heyday but the corpse is still twitching so I keep the lights on over there.)

Know your history.

Oh god, this brings back memories. Badly coded geocities memories, aka, ‘is this fic REALLY GOOD and worth reading even though it’s light blue text on a pink background with sparkly line breaks?’

Omg I remember WEBRINGS!!!

It was a dark time. Let the struggle not be forgot.

I think that fans might want to consider that the nature of the Internet is change - and we need to to keep that firmly in our minds. If Youtube has become more hostile to vidding content, then we need to move ourselves elsewhere - whether to another low profile streaming site or back to our webs.

I would not point the finger at fans who choose to stream their vids and say they are ruining vidding for us - (a) it is counterproductive and (b) it is inaccurate. The RIAA/Studios are the ones ‘ruining it’ - not just for vidders but for legions of the their fans. They have been battling the democratization and globalization of media for the last decade by refusing to adjust their business models. Seeing vidding as part of that battle may help bring some perspective of how deep and wide the gulf is between fans and the content creators. It is not as if MGM/Viacom/Sony have been ‘awakened’ by the acts of a few vidders. This is part of a larger strategic battle between Titans.

In other words - we must be clever…. like ducks! And find ways *to work together* as a group to keep vidding going. there are several approaches being undertaken on this front - and none of us know which one will work best.“

This time the year is 2007. From: “Youtube Not Safe Any More” (via meeedeee)

reblog from 2014.

was fanfic any different in the Olden Days

meeedeee:

inmyriadbits:

saathi1013:

some-stars:

actualvampireang:

OH BOY AND HOW. So I am not So Much Of An Old that I was around when print zines were the thing. I got into fanfic-type fandom through the internet. But here are some changes from the late 90s to today:

- In slash fandom, there were a lot fewer main characters written as expressly queer. There was a lot of (in retrospect) very teeth grindingly annoying “We’re not gay we just love each other” type romances. 

- Fic was mostly distributed via mailing lists (email), not by web archives, although some mailing lists also would web archive their stuff. People tended to be more monofannish because you would just participate in the list — people are more multifannish now because we follow specific people through their blogs and get introduced to their other interests, but this didn’t happen as much back in the day. People were definitely still multifannish, though. I’ve always fandom hopped.

- The aesthetic was very different. A lot of older fanfic reads in ways that were more influenced by profic romance novels, whereas modern fanfic has sort of its own, more realist style. (TBH there are also a lot more realistic/pomo style romance novels these days as well.) The stuff from the early 2000s, in comparison to 90s and earlier fic, and in comparison to modern fic, tended to be more experimental stylistically. Overall, fic tended to be longer, but also more uniformly long. There weren’t really many of those 200k monsters either.

- Not a lot of postmodern type fic conceits (i.e. stuff like the one where steve and bucky watch all the movies made about captain america while steve was in the ice, or SGA fic told through excerpts from academic papers, etc.) Early 2000s fandom went through this weird magical realism phase, also.

- In our headers, we used to measure story length in file-size, not in word length. I think this change came about in the early 2000s.

- Real Person Fic was like, not even discussed. It had its own mailing list where we kept basically all of it, and you didn’t mention it in polite company. Then suddenly in 2000-2001 all these legitimate people got into NSync fic. But before that, it was pretty taboo in a lot of fannish circles.

re: point one, there was also an enormous amount of time spent on characters agonizing over being attracted to other men. like, i was reading something a while back that was actually written in 2003 but by someone who’d been in fandom for a long time and obviously hadn’t changed their aesthetic much, and the first time the pairing started making out, one of the guys suddenly had to stop—and i thought it was gonna be like, traumatic memories, or just general intimacy issues, or whatever. but it was because it was ~all too new~ and he had to take a few more days to adjust to the whole gay thing.

oh and then along the same lines you had guys running out to try and have sex with women and fail, or have sex with women but find it so unsatisfying, before ultimately admitting that they wanted this particular dick. also, considering the prevalence of WNGWJLEO, it was oddly mandatory to point out at great length how much each character never really loved his previous female partners.

basically fandom now, at least the well-written part of it, is a million times less homophobic and biphobic and, believe it or not, misogynist. obviously there were always exceptions, especially with the really good writers, and especially as you move into the late nineties. but as a rule, so much improvement.

oh, and every love confession required a full name. Firstname Middlename Lastname, I love you. where does that even come from, seriously?

i will give them this—there was a lot less badfic that was technically bad, like, unreadable and full of errors. shit got edited back in the day. someone was gonna pay money to print five hundred copies of that and they did not want your terrible spelling to fuck it up.

oh, and not related to anything else, but: usenet! usenet was a super important venue for many fandoms. this actually continued well into the 2000s for certain fandom circles—not slash-focused media fandom in general, but there was a lot of overlap. i was reading alt.tv.angel during season two, and there were fic writers i recognized posting there. and of course earlier on, the alt.startrek.creative.* groups were central.

Random things I want to add based on my admittedly-hazy memory:

- elaborate ascii headers/footers/dividers on fic, which were mostly txt files (or bare-bones text-only pages to save archive space) I think?

- faking ages to get access to the adult stuff (which could get complicated depending on what country you were from and what country the admin(s) were from). This sometimes involved emailing an age statement to the owner of a mailing list and them deciding whether or not to trust you (or how much they actually gave a fuck) before giving you the password to an archive or authenticating your whatever to access the whosit, I wasn’t entirely sure how it worked.  Because I was fifteen at the time. Of course.

- There were people who were very adamantly ‘gay stuff is okay in fanfic but immoral IRL.’  Don’t ask me how that worked out logically, but it was a thing.

- DO NOT FORGET THE BEFORE-TIMES when there was no google and there were scattered archives everywhere, from ‘archive of [specific mailing list]’ to authors’ personal archives to pairing- or fandom-specific archives and the way you found a lot of them was like hoping aol or yahoo search would turn up something new?  But on the other hand you had a fair number of folks who were twitchy about having webcrawlies being able to find their porn because fanfic was already kind of side-eyed and porny stuff even moreso.

- there were archivists who actively trawled mailing lists and authors archives and such to compile their own interest-specific archives, sometimes asking the authors if they could host a fic… and sometimes NOT asking.  Cue: wank.

- OR you navigated WEBRINGS (which are like tumblr ‘networks’ I think? I don’t grok tumblr networks but ya’ll have fun with them, I’ll be over here in my rocking chair mmk) where there was essentially a master list of websites catering to a specific interest, sometimes with details but sometimes it was just a name and a link so you had no idea what you were clicking on half the time, you just knew it fell under category [thing the webring was about].

(…tbh, this was probably how I found out about slash, because of some X-Files or Pretender or maybe early SG1 webring, I don’t even know. I just saw “[fandomname] slash archive” and was desperate for new fic in [fandom] and hey presto “boys?? kissing?? GIRLS? KISSING?!! YOU CAN DO THAT? Ship things that don’t match what canon would expect you to ship?? oops now I have an exponentially greater amount of ships than I did before”)(given that description, it was probably stargate because there was a LOT of pretty to go around okay)

- let me TELL you about the recurring firestorm of wank that would rush through every goddamned fandom for at least a 5- to 10-year period there where someone would be like “all same-gender shippy stuff needs an NC-17 warning because that stuff is not okay for kids” and other folks would be like “can we not equate handholding to explicit PIV intercourse solely based on the genders of the participants” and holy jesus it was the EXACT same ugly nausea-inducing merry-go-round in at least six of my fandoms, which is why I am zero percent impressed with ‘family’ networks caving to that bullpockey because My People already hashed that out, get with the times, thanks.

- fanfic archives without search functions, where everything was just listed by date posted and sorted by pairing IF YOU WERE LUCKY.  One sentence summaries with no tags, no warnings, sometimes no ratings.  Sometimes no lengths (see above regarding length measured by filesize).  Because everything was coded in early html and some folks just didn’t want to (or knew how to) code all that.  This is why I give money to ao3, people.  I REMEMBER THE BEFORETIMES.

- oh, and finding That Reccer whose tastes ran similar to your own and posted like 10+ recs a week?  Like Santa and Baby Jesus came down from on high and showered glitter all over you before kissing you gently on the forehead and then disappearing in a double rainbow.  (You think recs help you filter wheat from chaff NOW, it was all the moreso when you had to do all this hunting just to find stuff TO sort though)

- yes this was also before lj and wordpress and basically any kind of rich text editor-enabled blogging platform.  Hand-coded html pages hosted on geocities with terrible font color choices and pixellated blinky tiled gif backgrounds, aw yus.

>midlevel-bofq jazzhands<

Oh god, so many flashbacks. This is also why I give money to AO3. And still have all my favorite recs sites & author pages bookmarked, because how else am I going to find that one story I decide I need to find again? Some shit pre-dates AO3, delicious, pinboard, and even some search engines, okay.

Don’t even get me started on vids.

Please yes, do get started on vids.

Moar vidding history needed, thnx, bye.

The kind of literature that fan fiction is did not spring fully formed into being in the 1960s and 70s, though some journalists still seem to think so. Throughout this book I have been stressing the link, in literary terms, between fan fiction and any other fiction based on a shared canon […]. It is clear from the comments of fan fiction writers like Ika and Belatrix Carter that one major attraction of this genre for writers is the sense of a complicit audience who already share much information with the writer and can be relied on to pick up ironies or allusions without having them spelled out. Writing based on the canons of myth and folklore can do this too, though as Belatrix Carter pointed out in chapter 7, these canons have been so extensively used for so long it is becoming harder to do anything with them that feels original.

But there is another point, implied in Ika’s remark in chapter 2 - ‘What I like about fan fiction is that you can still get that very highly trained audience that can understand very, very complex and allusive things.’ The use of ‘still’ alludes to the undoubted fact that for the traditional canons of myth, Bible, history, and folklore, this “very highly trained” audience is not as reliable as it once was, because the canon information is not as widely shared as it used to be. […] a writer can no longer allude to Lazarus, Circe or Alexander and be reasonably sure that most of his readers have in their heads the thoughts, stories or images for which he was aiming. The human need for heroes and archetypes does not go away, but their faces change with time, and one avatar takes the place of another. Ika’s point is a shrewd one: in an age of fragmented rather than shared cultures the fan fiction audience is unusual in having as thorough a knowledge of its particularly shared canon as a Bible-reading or classically educated audience once did.

Sheenagh Pugh, The Democratic Genre: Fan Fiction in a Literary Context, p. 219 (via nihilistelektra)

rageofthenerd:

If you are ever in the market for a SUPREMELY HOMOEROTIC Star Trek book, The Price of the Phoenix is for you (if the cover alone didn’t give that away).  

Oh, and not only are Kirk and Spock clutching each other and mind-fucking in this scene, Kirk is completely 100% naked.

I have this book. 

The “AO3 Content Discourse” - Some Context

Links to discussions about changing current ao3 policies to either remove or to allow certain types of fanfic. Links range between 2014 and 2016. If you have any links, please add them on reblog.  Please keep in mind that some of the topics which started with an OP later migrated during the reblogs, so the categories below  are random.  Also, links both for and against have been added haphazardly and possibly contain triggering content.  I have not verified or validated these links. And I neither endorse, agree or disagree with all of the links. 

Somewhat specific topics

Underage herehere here, here and here

Racism/Hate speech herehere and here (need more examples of where  racist trolls harassed AO3 users in comments/feedback or by posting hateful fanfic)

Transmisogyny here and here

Allowing AO3 writers to solicit for donations for writing fiction here

Noncon/abusive fiction here and here

Somewhat general topics

No idea how to categorize this except as “the megaphone post”

And here 

ao3 & censorship

thats-what-sidhe-said:

stopthatimp:

stopthatimp:

while I’m dipping my toes in the wank water, it’s interesting to me to see people defend AO3′s current content policy as something that is simple or, say, guaranteed sustainable long-term. Fandom history types have elided the influence of libertarian ideology on internet advocacy and fandom’s own historic attitudes towards content rules and censorship for…basically forever, as far as I know (feel free to contradict me), but that influence is very real. See, for example, A Declaration of the Independence of Cyberspace, or Phil Zimmerman’s own account of why he wrote PGP, citing “civil libertarians” defending the rights of citizens to encrypt their communication and keep it totally private. These are the sorts of ethical conundrums and ideological activities that gave us Tor, a private browser that is literally used both for vital civil liberation…and to find, distribute, and perpetuate child porn. AO3 isn’t Tor, or PGP, or the Silk Road, or anything like that, but a lot of the ideology around fandom in general and fanfic in particular uses, mirrors, and grew from early cyperpunk libertarian writing and policymaking.

Personally, I don’t think AO3 should delete, say, fic centering around a m/f couple where one member is gay in canon. Is it homophobic? Yep it sure is. But my kneejerk response is “I’ve been there”, because I have! I have had some trash ass offensive/weird pairings. I have absolutely been like “I know he/she’s gay, buuut”, despite being gay myself!!! And maybe that’s the heteropatriarchy brainwashing me or whatever, but sometimes a girl just wants to read her problematic garbage in peace.

AO3 also hosts “extreme underage”, which is a personal HELLLL NO for me, since I am a victim of molestation. Should it be deleted? Honestly, I have no idea. On one hand, it is gross to me, and I do not want to see it, and I think it is mostly morally reprehensible. On the other hand, just for starters, some people really do write that stuff because they were themselves molested. Some people write it but would never rape a kid IRL or even look at actual child porn. Some people are porn-damaged and don’t want to inspect why it gets them off. It goes on. Plus, there are logical enforcement problems: how young is too young? Tumblr likes to say 18, but then, the legal age of consent is lower than 18 in many places, including the US. Should the cutoff age be whatever the absolute lowest age of consent in the world is? What if they’re 15 but the author is clearly writing them as younger in body/maturity? What about diaper play type stuff that screws with the POV so they SEEM super young but are actually of the age of consent? What about high school AUs? The list goes on.

But, then, what about grossly racist fic? The corner of fandom that originated AO3 is pretty white; I have no idea if AO3′s demographics skew majority white these days, but it wouldn’t surprise me. If we leave aside stuff like extreme underage and non-con, under the assumption that a significant portion of the userbase experiences the threat of sexual assault at a bare minimum, doesn’t racist fic then fall under a different kind of category? If you’re white and writing, say, a plantation AU, or openly, gleefully white supremacist fic, then I personally feel that’s reprehensible and should be taken down. But who decides? What’s the line? I don’t mean that flippantly, I mean it seriously: is it enough for multiple people to complain, regardless of content? Or would it only be works that openly advocate for systems of white supremacy in some way? Would all the buddy cop fic with really shitty attitudes towards police brutality make the cut, or not?

And then, if that’s our rubric, what happens if a fandom’s mostly men, and the fic is wall to wall rapefic? I don’t want to be around men who write gross dudeporn about raping women, and again, I think there is definitely something reprehensible about that porn’s popularity. But AO3 is a fannish archive for everyone, and so, that fic would be left up.

So, it’s complicated to think about enforcing any kind of moral community standards when it comes to what kind of fic is posted. The above thoughts - of exceptions, logical and logistical complications, moral grey areas, variations, all of those are things that many websites have dealt with by saying anything goes, always. But I do not think that anyone making policy, whether large and world-affecting or relatively trivial, should be dismissing moderation or rules-making based on perceived complexity. Here is why.

Twitter is probably the most famous example right now of a site that allows almost anything in the name of free speech…and it’s biting them in the ass, big time. It’s become known among many white supremacist communities as the place they can go and say whatever and it will almost certainly not be taken down. And that dynamic - where a space is flooded with people who hold certain repugnant views, and thus ruins the space for everyone else - is one that should not be regarded as impossible for AO3 to facilitate.

Because, of course, AO3 isn’t a read-only space. It is an archive, but not in the sense of the Internet Archive, where it’s scraping websites. It’s a social space. They’ve already seen the need for more stringent abuse policies due to trolling, and the site is getting more popular by the day. What happens if some fandom springs up that’s fertile ground for white supremacists, and a bunch of them start posting to AO3? Or the dudeporn scenario? It is very true that in the event of AO3 being flooded with horrifically misogynistic, racist, or homophobic fic, that I could just go on posting my fic and blacklist stuff I find offensive - but it is possible that AO3, by dint of hosting this material unexamined and welcomed, will drive other people away. It is possible that AO3 will become the kind of place known for being permissive towards white supremacists or other hateful groups. It’s not likely, but it’s possible, and it’s important to consider because AO3 is only as good as its userbase. It’s only as comprehensive, in terms of hosting and preserving fanworks, as the people who choose to post there. And while it’s certainly not their responsibility to remove a high school AU because some 20-year-old complained about it being child porn (or whatever), it is their responsibility to look after the interests of their userbase. I very much disagree with the thinking that rejecting the idea of any content moderation wholesale, under the name of “free speech”, is the only or best way to do that.

tl;dr a lot of people pitching hissy fits about AO3′s content policy are being immature and short-sighted, but that doesn’t necessarily mean that AO3′s content policy is perfect, nor that having ANY kind of content policy is simple/free of flaws.

a few follow up comments, since this post got…more traffic than I had planned for.

I am honestly not sure where the idea that I was calling for AO3 to be curated came from, since I don’t think my post communicates that desire, but since the concept is out there: no, I do not think AO3 should be curated. I do think, however, that given AO3’s social nature, and given the existence of Abuse policies already, that a clearer, more transparent, and potentially more restrictive, abuse policy should be considered.

Now, when I say “potentially more restrictive”, I don’t mean “pull down everything that anyone finds offensive”. That assumption has been made several times in reblogs, so I want to be very clear: I do not think AO3 having an abuse-related content deletion policy necessitates removal of any and all fics that anyone on the internet considers offensive. Any kind of abuse policy that allows for content removal will be written with both specific limits and some room for qualitative judgments. AO3’s own policy, in fact, already does this with plagiarism:

Plagiarism is an often-contested and fuzzy concept, and no definition will satisfy everyone. Our aim is to be transparent and fair in resolving disputes.

Plagiarism is the use of someone else’s words or concepts without properly attributing those words or concepts to their original source. Simply finding and replacing names, substituting synonyms, or rearranging a few words is not enough to make the work original to you. Deliberately writing a work using the same general idea as another work is not plagiarism, but citation is always appreciated. Generally, quotes from the source material (canon) on which the content is based will not constitute plagiarism, nor will obvious allusions (“Use the Force, Luke!”). However, when in doubt, cite. Be aware that the abuse team may decide that your citation is not sufficient to render the work your own; a mere nod to another author whose work you are presenting as your own may result in a judgment of plagiarism.

Plagiarism is a violation of the ToS and will incur the penalties described in the abuse policy. As with all content that violates the ToS, plagiarized content must be removed. Depending on the type and amount of plagiarized content, this might entail removing an entire piece of content, removing only the plagiarized portions from a longer work while leaving the original material, or adding citations.

If you believe a fanwork posted on the Archive plagiarizes another work, please report the work to the abuse team. In order to allow us to investigate, please provide a link to the work on the Archive, relevant excerpts, and a specific citation of the original material (for example, a URL or a book edition and page number).

So, if AO3 changed its rules to allow for content removal in the case of egregiously bigoted works, or harassment in comments, I would assume it might work somewhat similarly: on a case-by-case basis, incorporating qualitative judgments by Abuse, with clear guidelines in both the TOS and the reporting form regarding what would constitute a violation of the TOS. I would personally prefer to draw the lines pretty parsimoniously: meaning, however you wound up defining “egregiously bigoted”, it would not include things like “wrote Sheith”.

On that note: I am aware of Tumblr’s antis and the harassment that they encourage. My post didn’t talk about them much for the simple reason that as far as I know, no one involved or formerly involved with AO3’s policymaking has said, “hey, maybe a 19-year-old having sex actually is pedophilia, if you think about it.” I have, however, seen several people involved with AO3/AO3’s founding behaving dismissively towards the entire concept of ever removing works for violating any kind of bigotry-related ethical standards. This dismissiveness disturbs me because it helps contribute to a hostility towards marginalized fans that I think is misplaced.

I know that AO3’s purpose is to house as many fanworks as possible, and to prevent older works from being lost to downed websites and deletions. However, I don’t think it’s in the best interest of the OTW to define “as many fanworks as possible” to mean “as many fanworks as people post on an unmoderated, value-neutral site”. It would be great if we could rely on AO3 staying home to the fandom that matters to the OTW’s founders - meaning, genuinely fannish people, whose primary concern is creating fanworks that are generally in line with a leftist Western point of view. But AO3 is semi-public and is, again, a social website. It’s not statically scraping fic from various corners of the internet. The only works that end up on the AO3 are works that creators deliberately put there (and works brought in via Open Doors). What this means is that AO3 is already an imperfect portrait of fandom; it is already a limited set of all the fanworks on the internet. Having a no-removal policy with regards to bigotry has the potential to make that set even more limited.

Hockey fandom had a troll who posted a deliberately racist fic and engaged in the comments by saying things like (apologies for spelling out slurs) “this fandom will never ship a mulatto and a wetback”. The most egregious comments were deleted, but the fic is still up. Such behavior is obviously a perversion of AO3’s intent, but it’s also pretty classic trolling. AO3’s current policies simply do not account for malicious actors to the degree that hockey fandom saw. To me, this lack of preparation presents the very real danger that AO3 will lose parts of its userbase when people decide the trolling and bigotry isn’t something they want to deal with. I am aware that some people plan to continue posting regardless of what kind of people they share the fandom’s AO3 tag with. I am also aware that, personally, if I ever found myself in a fandom that liked to write violently homophobic fic, I’d probably leave. I don’t say that lightly, and I don’t mean it as a threat; it’s just a description of one action that people might take.

I’m not saying that any kind of values-related content policy is easy to write. I am aware that AO3’s current policy was written by people who take the OTW’s stated mission very seriously. But ultimately, the OTW exists in its current form - as a nonprofit, which solicits funding and has a wide-reaching organizational structure - because it is supposed to serve fandom. A content policy that is entirely neutral on marginalization is not serving fandom neutrally. It has the potential to permit perpetuation of marginalization.

AO3 vs Twitter

I compared AO3 to Twitter not because they are comparable, currently, in scale or userbase (demographics, interests, whatever), but because they share a key component of being socially oriented sites whose primary form of interaction is users posting and responding to content. That description is generous enough to account for many other sites as well: Facebook, /b/, HackForum, and Tumblr, for starters. Twitter is a standout because they underestimated the power of online abuse and the threat it presented to their site for years. AO3 has experienced exponential growth (users and engagement), and has only recently begun providing users with tools to control their interactions with other users (Abuse and Support improvements, refusing works. I think it would be wise for AO3 to look to the future because it’s a website with the stated purpose of being a permanent archive. In addition to the userbase issue I discussed above, permanency requires funding; funding requires ongoing user engagement. Twitter has struggled with userbase attrition, which they themselves have attributed to their harassment problems. Again, AO3 isn’t the same as Twitter, but I am a believer in learning from others’ examples. In this specific case, the lessons I’d glean from Twitter are:

1) It is best for abuse-related user experience controls and policies to grow with the site’s complexity
2) It is best to consider what those controls and policies might be <em>before</em> the abuse actually becomes a problem.

page_leaf sent me some links about what that planning might look like: Designing Good Policy, Comment Moderation, We’re The Reason We Can’t Have Nice Things Online

Ultimately, there are a lot of ways to think about forming a content policy. AO3 could implement blocking to allow users to more easily tailor their experiences. They could revise their content policies to allow for work removal when a work is judged to be especially homophobic, racist, or misogynist. They could revise their content policies to allow for work removal only when the work’s content can be demonstrated to have an intent to harass*. But ultimately, my problem is and remains that hostility to any kind of reconsideration of AO3’s current policy <em>is not values neutral</em>. AO3 is not currently a comprehensive archive, and it never can be: it is only as comprehensive as its userbase. The current message I’m seeing from some corners of fandom is that the status quo is fine, and marginalized fans who can’t tolerate sharing an archive with people virulently hostile to them are a disposable part of AO3’s userbase. I really, really hope that’s not true.

-

*AO3’s TOS can be read to do this already, but again, that hockey fic wasn’t removed. There is some obvious ambiguity here; I’m not proposing this as a fully formed policy.

The only works that end up on the AO3 are works that creators deliberately put there (and works brought in via Open Doors). What this means is that AO3 is already an imperfect portrait of fandom;

Yes

 it is already a limited set of all the fanworks on the internet. 

Yes

Having a no-removal policy with regards to bigotry has the potential to make that set even more limited.

1) Probably not.

2) So what? The OTW would like to preserve as many fanworks as possible, yes, but it’s not a “gotta catch em all” situation. If people choose to take their fic elsewhere, that’s their right. 

These arguments may be new to the younger members of fandom, but as a fandom elder, I assure you this discussion has been talked to death. And beyond. This horse you’re beating has died more times than Dean Winchester. Different archives have implemented different solutions over the years. For some you had to be invited, others were screened on submission, others rejected only after posting, if flagged for abuse.

There were a few things that happened before AO3 was created that affected the choices the founders made. There’s Strikethrough, of course, where LiveJournal deleted hundreds of comms and fics overnight after they were challenged by a conservative “pro-family” organization. There was the exodus from FanFiction.net, when FF.net decided they didn’t want to host adult material, and there were hundreds of small fights in different fandoms over material and censorship and warnings.

The founders of AO3 have probably been in one fandom or another longer than you’ve been alive. They’ve seen every variation on every fight. (All this has happened before, all this will happen again.) They looked at the options and this is what they chose. No curating and no removal of content for subject matter, unless it’s not warned for incorrectly. 

The thing is, if you want to give people a place where they can freely and openly express themselves, you have to let the assholes do that as well. Yes, even the racist ones. Yes, even the ones writing child porn. Because it is not your job to decide what is appropriate for other people to read and write. In the United States it is legal to write and draw children in sexual situations. Is it gross? Maybe! Is it art? Who knows! Go ahead and host a discussion on Tumblr or Twitter or Imzy, if you like. 

Fandom does come down hard on people who write racist or otherwise distasteful fic. There was a Haiti SPN RPF fic which is notorious for being utterly and cluelessly offensive. Someone requested Nazi RPF fic for Yuletide last year and the request was quickly yanked. Fandom’s Court of Public Disapproval is fast and harsh and sometimes it’s even justified.

AO3 has made their call and they’ve made it after hearing every one of your arguments and more, years ago. If you want to pull your fic, then absolutely do so. It’s understandable that you don’t want to stay where you’re not comfortable. Fanfiction.net is a decent enough place to post fic and they don’t allow adult content. If you want to create a new site, the AO3 code is open source. But if you’re playing in AO3′s court, you’re playing by their rules. You can always take your ball and go home.

Am working on a post about an invite only archive that eventually decided to exclude fanfic that was written solely for sexual titillation purposes and lacked literary merit. So many of the same discussions and the same tough choices.

uclalibraryspecialcollections:

This week our Flash Exhibit case is going where no Flash Exhibit case has gone before, with an exhibit all about Star Trek! In addition to this lovely photo of Leonard Nimoy and Majel Barrett in partial makeup, we’ve got ship diagrams, fanzines, and more.

For those of you super fans, we’ve also got a blog post on the evolution of the opening narration!

Gene Roddenberry Star Trek television series collection, Robert H. Justman Collection of Star Trek Television Series Scripts, and Wah Chang papers at UCLA Library Special Collections.

Archive Rules: The Devil Is In The Details

Various archives have various rules.  Sometimes you have to read them carefully.

Gluttony Archive.

 "Forced Marriages - Consented, arranged marriages, between adults, where both parties agree to the situation they are in, and are happy about what is going on, is VERY different to being forced to marry someone against their will. So forced marriages are not permitted.“ 

So, marriage that is consensual and arranged is all right, but only if they are both happy about it. Works for me!


Another site had this disclaimer: "Wolf Moon is relatively broad minded with respect to content that is allowed on the site. Submissions that contain Sadomasochism, Scat, Watersports, Snuff, or Bloodplay (‘cept for VampSex) will not be accepted. Beastiality [sic] is acceptable, as long as the animal is sentient, or is a human in animal form. Chan is allowed for characters 14 or older. The point to consider here is this: Consent. This element is vital if your fic includes Beast or Chan.” 

So, sex with animals is all right if the animal can not only talk, but agree to consent! Works for me!

hevelincollection:

Here are some lovely, ghostly, hectographed issues of Ember, a fanzine edited by Don Brazier from Milwaukee, WI. I love the dreamy pinks and purples-although they are faded they are still beautiful. Remember, keep all hectorgaphed materials hidden from light!

Ember. Ed. Don Brazier. No. 28. January 13, 1947. Milwaukee, WI. 

Ember. Ed Don Brazier. No. 29. January 20, 1947. Milwaukee, WI. 


-Laura

sabotini:

pureflummery:

Ten years ago, in August 2005, we premiered Walking on the Ground for Vividcon’s Challenge show. The theme that year was “Milestones” in honor of the 30th Anniversary of (fannish, live-action) vidding. In 1975, Kandy Fong set a slide show to music with still-shots of Star Trek, and an art form was born.

That art form changed a lot over the next thirty years, and that’s what we wanted to do here - vid our take on vidding history.

Rewatching this today, we wonder if the context and meaning still make their way through clearly; it’s always hard to know, with something like this. If you’re interested in a more detailed look at what we were shooting for, a full list of clips, and why we chose them, they can be found in the post we made on the subject back in 2005.

Anyway, enjoy! We hope to put up our entire back catalogue of vids on Tumblr and Youtube this fall, to help inspire us to keep going make more vids (maaaaan are we sloooow).

Right-click and save as to download 84 MB mp4

Also available an AO3!

Always awesome.

Reblog this and put the fandom that you first read fanfiction for in the tags.

harleygrenade:

I’m curious about where people started out!

Star Trek. But I wrote my first Starsky & Hutch fanfic (remember to write your fandom in the tags).

#ThrowbackThursday

aerialsquid:

I was trundling around FanLore today feeling nostalgic for the good old days of Fandom Wank, where anonymity meant something and there were still people doing things besides porn RPs on the Livejournal-clone forums, and found this:

Westallen vs. Snowbarry

Westallen vs. Snowbarry is a Ship War that originated in the Twitter and Tumblr parts of the CW’s The Flash series, between fans of two Barry Allen pairings: Barry/Iris (Westallen) and Barry/Caitlin (Snowbarry).

Since the Arrow spin-off was announced, the implied (comicsverse canon) Barry Allen/Iris West pairing was popular since it was revealed in one of the episodes Barry Allen appeared in on Arrow was that he had secretly loved someone. It was again hinted at exactly who it was - Iris - to Felicity Smoak who was worried about him because of his coma (see Barry/Felicity for more). However with the release of the official trailer for the television series in May 2014, the pairing Barry Allen/Caitlin Snow started to take off.

This started creating tensions with some of Iris/Barry fans who felt it was wrong that people started shipping Caitlin with Barry since she was going to become Killer Frost (a villain in the comics) or ridiculous for fans to start shipping them just because she asked him to urinate in a cup.

After the premiere of the first episode, Snowbarry fans had started being accused of racist for not shipping/liking Iris/Barry - which would be an interracial couple - and Iris West who is a POC on Tumblr and Twitter, despite the fact that many of the Snowbarry fans actually do like Iris or like the gen relationship between Barry & Iris or even a potential romantic relationship between them. This goes the same for Iris and Barry/Iris fans, some actually do like Caitlin Snow and the gen relationship between Barry & Caitlin.

There were many comments on Tumblr that people liked both ships and couldn’t decide between them; this often led to them being accused of being indecisive or copping out.

Which led me to this amazing image:

I just…I realize this was early in the show before many of the recurring characters were even cast, before we knew how a certain sinnamon flavored ice cream cone would incorporate himself into every possible ship in not just one but two fandoms, but…oh honey.

It got way chillier than Killer Frost.

ao3 & censorship

stopthatimp:

stopthatimp:

while I’m dipping my toes in the wank water, it’s interesting to me to see people defend AO3′s current content policy as something that is simple or, say, guaranteed sustainable long-term. Fandom history types have elided the influence of libertarian ideology on internet advocacy and fandom’s own historic attitudes towards content rules and censorship for…basically forever, as far as I know (feel free to contradict me), but that influence is very real. See, for example, A Declaration of the Independence of Cyberspace, or Phil Zimmerman’s own account of why he wrote PGP, citing “civil libertarians” defending the rights of citizens to encrypt their communication and keep it totally private. These are the sorts of ethical conundrums and ideological activities that gave us Tor, a private browser that is literally used both for vital civil liberation…and to find, distribute, and perpetuate child porn. AO3 isn’t Tor, or PGP, or the Silk Road, or anything like that, but a lot of the ideology around fandom in general and fanfic in particular uses, mirrors, and grew from early cyperpunk libertarian writing and policymaking.

Personally, I don’t think AO3 should delete, say, fic centering around a m/f couple where one member is gay in canon. Is it homophobic? Yep it sure is. But my kneejerk response is “I’ve been there”, because I have! I have had some trash ass offensive/weird pairings. I have absolutely been like “I know he/she’s gay, buuut”, despite being gay myself!!! And maybe that’s the heteropatriarchy brainwashing me or whatever, but sometimes a girl just wants to read her problematic garbage in peace.

AO3 also hosts “extreme underage”, which is a personal HELLLL NO for me, since I am a victim of molestation. Should it be deleted? Honestly, I have no idea. On one hand, it is gross to me, and I do not want to see it, and I think it is mostly morally reprehensible. On the other hand, just for starters, some people really do write that stuff because they were themselves molested. Some people write it but would never rape a kid IRL or even look at actual child porn. Some people are porn-damaged and don’t want to inspect why it gets them off. It goes on. Plus, there are logical enforcement problems: how young is too young? Tumblr likes to say 18, but then, the legal age of consent is lower than 18 in many places, including the US. Should the cutoff age be whatever the absolute lowest age of consent in the world is? What if they’re 15 but the author is clearly writing them as younger in body/maturity? What about diaper play type stuff that screws with the POV so they SEEM super young but are actually of the age of consent? What about high school AUs? The list goes on.

But, then, what about grossly racist fic? The corner of fandom that originated AO3 is pretty white; I have no idea if AO3′s demographics skew majority white these days, but it wouldn’t surprise me. If we leave aside stuff like extreme underage and non-con, under the assumption that a significant portion of the userbase experiences the threat of sexual assault at a bare minimum, doesn’t racist fic then fall under a different kind of category? If you’re white and writing, say, a plantation AU, or openly, gleefully white supremacist fic, then I personally feel that’s reprehensible and should be taken down. But who decides? What’s the line? I don’t mean that flippantly, I mean it seriously: is it enough for multiple people to complain, regardless of content? Or would it only be works that openly advocate for systems of white supremacy in some way? Would all the buddy cop fic with really shitty attitudes towards police brutality make the cut, or not?

And then, if that’s our rubric, what happens if a fandom’s mostly men, and the fic is wall to wall rapefic? I don’t want to be around men who write gross dudeporn about raping women, and again, I think there is definitely something reprehensible about that porn’s popularity. But AO3 is a fannish archive for everyone, and so, that fic would be left up.

So, it’s complicated to think about enforcing any kind of moral community standards when it comes to what kind of fic is posted. The above thoughts - of exceptions, logical and logistical complications, moral grey areas, variations, all of those are things that many websites have dealt with by saying anything goes, always. But I do not think that anyone making policy, whether large and world-affecting or relatively trivial, should be dismissing moderation or rules-making based on perceived complexity. Here is why.

Twitter is probably the most famous example right now of a site that allows almost anything in the name of free speech…and it’s biting them in the ass, big time. It’s become known among many white supremacist communities as the place they can go and say whatever and it will almost certainly not be taken down. And that dynamic - where a space is flooded with people who hold certain repugnant views, and thus ruins the space for everyone else - is one that should not be regarded as impossible for AO3 to facilitate.

Because, of course, AO3 isn’t a read-only space. It is an archive, but not in the sense of the Internet Archive, where it’s scraping websites. It’s a social space. They’ve already seen the need for more stringent abuse policies due to trolling, and the site is getting more popular by the day. What happens if some fandom springs up that’s fertile ground for white supremacists, and a bunch of them start posting to AO3? Or the dudeporn scenario? It is very true that in the event of AO3 being flooded with horrifically misogynistic, racist, or homophobic fic, that I could just go on posting my fic and blacklist stuff I find offensive - but it is possible that AO3, by dint of hosting this material unexamined and welcomed, will drive other people away. It is possible that AO3 will become the kind of place known for being permissive towards white supremacists or other hateful groups. It’s not likely, but it’s possible, and it’s important to consider because AO3 is only as good as its userbase. It’s only as comprehensive, in terms of hosting and preserving fanworks, as the people who choose to post there. And while it’s certainly not their responsibility to remove a high school AU because some 20-year-old complained about it being child porn (or whatever), it is their responsibility to look after the interests of their userbase. I very much disagree with the thinking that rejecting the idea of any content moderation wholesale, under the name of “free speech”, is the only or best way to do that.

tl;dr a lot of people pitching hissy fits about AO3′s content policy are being immature and short-sighted, but that doesn’t necessarily mean that AO3′s content policy is perfect, nor that having ANY kind of content policy is simple/free of flaws.

a few follow up comments, since this post got…more traffic than I had planned for.

I am honestly not sure where the idea that I was calling for AO3 to be curated came from, since I don’t think my post communicates that desire, but since the concept is out there: no, I do not think AO3 should be curated. I do think, however, that given AO3’s social nature, and given the existence of Abuse policies already, that a clearer, more transparent, and potentially more restrictive, abuse policy should be considered.

Now, when I say “potentially more restrictive”, I don’t mean “pull down everything that anyone finds offensive”. That assumption has been made several times in reblogs, so I want to be very clear: I do not think AO3 having an abuse-related content deletion policy necessitates removal of any and all fics that anyone on the internet considers offensive. Any kind of abuse policy that allows for content removal will be written with both specific limits and some room for qualitative judgments. AO3’s own policy, in fact, already does this with plagiarism:

Plagiarism is an often-contested and fuzzy concept, and no definition will satisfy everyone. Our aim is to be transparent and fair in resolving disputes.

Plagiarism is the use of someone else’s words or concepts without properly attributing those words or concepts to their original source. Simply finding and replacing names, substituting synonyms, or rearranging a few words is not enough to make the work original to you. Deliberately writing a work using the same general idea as another work is not plagiarism, but citation is always appreciated. Generally, quotes from the source material (canon) on which the content is based will not constitute plagiarism, nor will obvious allusions (“Use the Force, Luke!”). However, when in doubt, cite. Be aware that the abuse team may decide that your citation is not sufficient to render the work your own; a mere nod to another author whose work you are presenting as your own may result in a judgment of plagiarism.

Plagiarism is a violation of the ToS and will incur the penalties described in the abuse policy. As with all content that violates the ToS, plagiarized content must be removed. Depending on the type and amount of plagiarized content, this might entail removing an entire piece of content, removing only the plagiarized portions from a longer work while leaving the original material, or adding citations.

If you believe a fanwork posted on the Archive plagiarizes another work, please report the work to the abuse team. In order to allow us to investigate, please provide a link to the work on the Archive, relevant excerpts, and a specific citation of the original material (for example, a URL or a book edition and page number).

So, if AO3 changed its rules to allow for content removal in the case of egregiously bigoted works, or harassment in comments, I would assume it might work somewhat similarly: on a case-by-case basis, incorporating qualitative judgments by Abuse, with clear guidelines in both the TOS and the reporting form regarding what would constitute a violation of the TOS. I would personally prefer to draw the lines pretty parsimoniously: meaning, however you wound up defining “egregiously bigoted”, it would not include things like “wrote Sheith”.

On that note: I am aware of Tumblr’s antis and the harassment that they encourage. My post didn’t talk about them much for the simple reason that as far as I know, no one involved or formerly involved with AO3’s policymaking has said, “hey, maybe a 19-year-old having sex actually is pedophilia, if you think about it.” I have, however, seen several people involved with AO3/AO3’s founding behaving dismissively towards the entire concept of ever removing works for violating any kind of bigotry-related ethical standards. This dismissiveness disturbs me because it helps contribute to a hostility towards marginalized fans that I think is misplaced.

I know that AO3’s purpose is to house as many fanworks as possible, and to prevent older works from being lost to downed websites and deletions. However, I don’t think it’s in the best interest of the OTW to define “as many fanworks as possible” to mean “as many fanworks as people post on an unmoderated, value-neutral site”. It would be great if we could rely on AO3 staying home to the fandom that matters to the OTW’s founders - meaning, genuinely fannish people, whose primary concern is creating fanworks that are generally in line with a leftist Western point of view. But AO3 is semi-public and is, again, a social website. It’s not statically scraping fic from various corners of the internet. The only works that end up on the AO3 are works that creators deliberately put there (and works brought in via Open Doors). What this means is that AO3 is already an imperfect portrait of fandom; it is already a limited set of all the fanworks on the internet. Having a no-removal policy with regards to bigotry has the potential to make that set even more limited.

Hockey fandom had a troll who posted a deliberately racist fic and engaged in the comments by saying things like (apologies for spelling out slurs) “this fandom will never ship a mulatto and a wetback”. The most egregious comments were deleted, but the fic is still up. Such behavior is obviously a perversion of AO3’s intent, but it’s also pretty classic trolling. AO3’s current policies simply do not account for malicious actors to the degree that hockey fandom saw. To me, this lack of preparation presents the very real danger that AO3 will lose parts of its userbase when people decide the trolling and bigotry isn’t something they want to deal with. I am aware that some people plan to continue posting regardless of what kind of people they share the fandom’s AO3 tag with. I am also aware that, personally, if I ever found myself in a fandom that liked to write violently homophobic fic, I’d probably leave. I don’t say that lightly, and I don’t mean it as a threat; it’s just a description of one action that people might take.

I’m not saying that any kind of values-related content policy is easy to write. I am aware that AO3’s current policy was written by people who take the OTW’s stated mission very seriously. But ultimately, the OTW exists in its current form - as a nonprofit, which solicits funding and has a wide-reaching organizational structure - because it is supposed to serve fandom. A content policy that is entirely neutral on marginalization is not serving fandom neutrally. It has the potential to permit perpetuation of marginalization.

AO3 vs Twitter

I compared AO3 to Twitter not because they are comparable, currently, in scale or userbase (demographics, interests, whatever), but because they share a key component of being socially oriented sites whose primary form of interaction is users posting and responding to content. That description is generous enough to account for many other sites as well: Facebook, /b/, HackForums, and Tumblr, for starters. Twitter is a standout because they underestimated the power of online abuse and the threat it presented to their site for years. AO3 has experienced exponential growth (users and engagement), and has only recently begun providing users with tools to control their interactions with other users (Abuse and Support improvements, refusing gifts. I think it would be wise for AO3 to look to the future because it’s a website with the stated purpose of being a permanent archive. In addition to the userbase issue I discussed above, permanency requires funding; funding requires ongoing user engagement. Twitter has struggled with userbase attrition, which they themselves have attributed to their harassment problems. Again, AO3 isn’t the same as Twitter, but I am a believer in learning from others’ examples. In this specific case, the lessons I’d glean from Twitter are:

1) It is best for abuse-related user experience controls and policies to grow with the site’s complexity
2) It is best to consider what those controls and policies might be before the abuse actually becomes a huge problem.

page_leaf sent me some links about what that planning might look like: Designing Good Policy, Comment Moderation, We’re The Reason We Can’t Have Nice Things Online

Ultimately, there are a lot of ways to think about forming a content policy. AO3 could implement blocking to allow users to more easily tailor their experiences. They could revise their content policies to allow for work removal when a work is judged to be especially homophobic, racist, or misogynist. They could revise their content policies to allow for work removal only when the work’s content can be demonstrated to have an intent to harass*. But ultimately, my problem is and remains that hostility to any kind of reconsideration of AO3’s current policy is not values neutral. AO3 is not currently a comprehensive archive, and it never can be: it is only as comprehensive as its userbase. The current message I’m seeing from some corners of fandom is that the status quo is fine, and marginalized fans who can’t tolerate sharing an archive with people virulently hostile to them are a disposable part of AO3’s userbase. I really, really hope that’s not true.

-

*AO3’s TOS can be read to do this already, but again, that hockey fic wasn’t removed. There is some obvious ambiguity here; I’m not proposing this as a fully formed policy.

Some discussion on how the AO3 might approach the process of removing content judged to be offensive.

And on that note, I read about Twitter killing off Vine.  I am glad that our corner of fandom owns its own servers. I wish we had something similar for fanvids (we have solo projects like VidderTube which I support).  I think we need to have multiple group run archiving projects with distinct goals because fandom has never been - nor should it ever be - monolithic.  We have a long history of fandom and content specific archives that have included or excluded  certain types fiction for a wide variety of reasons.  Some were commercially run, but most were and are fan-run.  We also need to have multiple group run archiving projects to make it harder to be targeted by concerted banning efforts like Strikethrough.  So if you are a group of fans who are planning on setting up your own archive with a solid ideology with regards to hatespeech or an archive that will allow people to archive fanvids that have been removed from Youtube/Vimeo, drop me a note and I’ll reblog.

I’ll also take this time to remind people that pillowfort.io is example of a multiple person project that is working on creating an alternative to tumblr that will focus on reducing harassment and bullying.

And finally,  back up your tumblrs. Yahoo continues with its financial struggles and Tumblr may have an early expiration date. Mac OS and Linux options

Group shot of a collection of friend books

The cover of a Star Wars themed friend book

How many times have you seen Star Wars? This book was created in 1977 or 1978

A scene you didn't like?

International friend book. This one had a Pacific Rim focus. Others came from Sweden or Holland and the UK

Starsky and Hutch friend book

Fans would list the fandoms they were interested in and the materials they were hoping to trade.

From Fanlore, the fan run wiki about our media fandom history:

“"Friend Books" were used by pre-teens and teens in the 1970s and 1980s as a way of finding other like-minded fans in the pre-Internet era.

Unlike the dreaded “slam books” which began circulating in the US in the 1940s, these books were not used to bully,[1][2][3] but as a means of connecting with other fans. Some “friend books” were sized small enough to fit into an international envelope (2-3 inches), and consisted of no more than a few pages. The covers were pages cut from magazines or advertisements and were stapled or taped into a booklet shape. 

Many were multi-fandom, but some focused on single fandoms like Star Wars. Fans would write their name and address, and list their interests. The book would then passed along to the next fan. When the booklet was filled it was to be returned by mail to the original fan. Often times questions were asked (ex: Who is your favorite Star Wars character?)”

Banning Fanworks: The Phone Calls Have Come From Both Inside and Outside The House*

elfwreck:

meeedeee:

“Some archives have out-and-out banned certain kinds of fanworks.

Other fanworks have been discouraged and disparaged (with varying degrees of strength and success), depending upon the climate of the time.

Examples of Fanwork Content Actively Banned

Examples of Fanwork Content That is Commonly or Has Been Historically Discouraged, Disparaged

The examples below very often include content actively banned as well. See Examples of Fanwork Content Actively Banned.

Source.  Links go to Fanlore, the fan run wiki about the history of media fandom.

*The Phone Call Trope and When A Stranger Calls

I have vague memories of hearing about archives that only allow specific characters “topping,” but no details come to mind. Certainly there have been plenty of LJ communities that restricted fic based on characterization, but those were never intended as “post all your fic here!” places.

Scat is often banned, and rarely winds up on lists like these because most of us (me included) have no interest in it. But that does related to specific kinks or actions being banned - and of course, a lot of those bans fall under “other objectionable material” and nobody’s willing to say in advance what they are.

There are archives that will reject/remove fics with threesomes, especially threesomes that involve the mods’ favorite pairing(s). I haven’t heard of any that specifically ban relationships of more than two characters, but I pretty much stopped reading archive rules when AO3 went live.

updated: http://fanlore.org/wiki/List_of_Content_Banned_by_Archives

Banning Fanworks: The Phone Calls Have Come From Both Inside and Outside The House*

meeedeee:

“Some archives have out-and-out banned certain kinds of fanworks.

Other fanworks have been discouraged and disparaged (with varying degrees of strength and success), depending upon the climate of the time.

Examples of Fanwork Content Actively Banned

Examples of Fanwork Content That is Commonly or Has Been Historically Discouraged, Disparaged

The examples below very often include content actively banned as well. See Examples of Fanwork Content Actively Banned.

Source.  Links go to Fanlore, the fan run wiki about the history of media fandom.

*The Phone Call Trope and When A Stranger Calls

Updated List of Banned Fic.

http://fanlore.org/wiki/List_of_Content_Banned_by_Archives

Banning Fanworks: The Phone Calls Have Come From Both Inside and Outside The House*

“Some archives have out-and-out banned certain kinds of fanworks.

Other fanworks have been discouraged and disparaged (with varying degrees of strength and success), depending upon the climate of the time.

Examples of Fanwork Content Actively Banned

Examples of Fanwork Content That is Commonly or Has Been Historically Discouraged, Disparaged

The examples below very often include content actively banned as well. See Examples of Fanwork Content Actively Banned.

Source.  Links go to Fanlore, the fan run wiki about the history of media fandom.

*The Phone Call Trope and When A Stranger Calls

ineptshieldmaid:

cacchieressa:

medie:

feanna:

pipistrellus:

the ao3 discourse is interesting to me bc i feel like theres a big disconnect between ppl who Were There For Strikethrough of course but also in a more general way, people for whom Strikethrough was not a Weird Anomaly – people who grew up in the late 80s/early-mid 90s climate of BANNING JUDY BLUME BOOKS FROM LIBRARIES BC AN ADULT WROTE TEENS DOING SEX ! and stuff… like… ppl for whom “disingenuous right-wing ~for the family~ morality org claims to wanna protect vulnerable people but SOMEHOW MIRACULOUSLY ends up just banning kids from reading about sex or gay shit or talking about having been raped” is really… just… the norm. like. thats the baseline of this discourse… that’s… you know. i dont know. i dont mean this in a YOU GOTTA UNDERSTAND WHERE WE WISE OLD PPL ARE COMING FROM thing i mean it in a … i genuinely think that there are two paradigms here and that it is probably hard to grok aspects of them if you grew up in a cultural atmosphere which can lead you to claim ~Strikethrough was an anomaly~ rather than the system working as intended. Strikethrough wasnt a Good Protective Thing which ON THE EDGES also ACCIDENTALLY took out a FEW “innocent” comms and journals… Strikethrough did what it was intended to do, and it was only one incident in a long, looooong history of organizations like that one doing, or trying to do, the same damn thing, 

Yeah, fandom was weird thing to be into (and not the kind other people find endearing), and definitely UNDERGROUND. You had to definitely go looking. And while not everybody elses weird stuff in fandom was your weird stuff, you were all the target of “normal” people together. AO3 was revolutionary!! I remeber when it was first posed as an idea. Also, I still remeber the women, who had a physical zine shipped to Germany and had to go to customs where they told her they check magazines so people don’t order porn, not that she (women) would!!! (Yeah, that K/S zine had some explicit gay art in it, she was lucky they didn’t actually look inside.) So that’s also were people are coming from. When I got into fandom, there was still a BIG Het/Slash divide, and Slash was a warning! (and slasher and identity). Not to say that everything was better, or something. But there was always the feeling that you were transgressing in some way by being there. And you knew you weren’t wanted on platforms made for “normal” people. The constant warnings people put on stuff, where “please don’t sue me!” was a real thing, and that adult stuff couldn’t be on many of the pages/archives, and sites that didn’t allow gay content, etc.. We remeber all the things that weren’t allowed to be posted on certain sites, that is why the AO3 even came into being.

Yeah, I got into fandom around the same time. I can remember getting banned off a Sentinel mailing list because I spoke up in defense of a person who’d accidentally forwarded a slash email to the wrong list. (It was an accident and yes they got hardcore yelled at).

I can remember having to mail proof of my legal age to a adult mailing list before I could get in. (Yes they were legit, no it wasn’t an identity scam)

We developed pseudonyms to protect ourselves online  because people got fired for being fannish and for writing slash. People got harassed in their offline lives (yep, fandom doxxed long before the word got coined). I can remember some fans having it impact custody battles.

The OTW and the Ao3 rose out of fans basically swearing ‘never again’ because we got so damn tired of being attacked. The Ao3 gave us a place to post, bu the OTW’s advocacy work has done a lot to legitimize fandom.

Sometimes I think we did the job too well, because while it’s gotten better, all that stuff really hasn’t gone away and I worry so much about the kids coming up in fandom now. Throwing around personal details like it’s nbd, pics, whatever.

It can come back to haunt you.

Tag your shit so people don’t have to see it, but lay off the censorship talk. That’s a road you don’t want to go down.

The Ao3 can and will make decisions to protect things you don’t like, sure, but trust me, that’s actually a reassuring thing because ultimately?

They’re also protecting you.

for real though, speaking as someone who was actually personally affected by Strikethrough - I did have fic that was posted only to a targeted community (pornish_pixies) deleted when Strikethrough happened and I had to repost to my own LJ (and later to AO3) to ensure I could archive them and they wouldn’t just disappear again - the WHOLE POINT OF OWNING THE SERVERS IS SO THAT YOUR WEIRD STUFF WON’T GET DELETED because of some homophobic crusade masquerading as ~protecting the children~.

And also, the whole point of tagging and warning is so that people who don’t want to see your weird stuff can scroll or filter, and people who do want to can find it.

We seem to have fallen into the trap of imagining the platonic ideal of a Safe Space, and thinking fandom should be it.

There is no such thing as a maximally Safe Space for all people at all times. You can only have a space that is Safe on specific terms for specific groups. The wider the groups, the more specific the terms have to be. The A03 is not designed to provide access to safe content, it is designed to be a place that is safe for content to be shared. That, on the up side, means it is a place where your kink - your personal work using your very personal sexuality or whatever - is okay, or at least is not going to be deleted. On the down side, it means some spectacularly racist shit, or homophobic shit, or whatever, is not going to be deleted either.

If you want a space where safety is determined in terms of the kind of content you will encounter more than the durability of the platform and the policies of free speech and so on, that is fine! But the AO3 is not that space, and is not designed to be that space.

Consider a real world analogy: if I organise a queer feminist reading group, and Mr Homophobe 2016 turns up, I, or I and the group, can kick his ass out. On the other hand, if I run a seminar in my university on queer feminist literature, and Student Homophobe 2016 turns up, I cannot kick him out. I can put expectations down about how he will speak to other students, I can ask him to bring his 101 criticisms of the theoretical grounding to discuss in my office when he’s derailing class, but I cannot kick him out just for having a political opposition to my texts and teaching (especially not if I think he is in fact learning from being there, as he may well do). I can only kick him out if he is directly abusive to other students, or me, and in order to exclude him I would have to involve other faculty.

That will almost certainly make the space less safe for some students than the hypothetical reading group, and I cannot do anything about that. Because my classroom is not a space specifically designed for queer feminist students. I can advance their interests, and protect them where I can, but I cannot change the fact that my classroom is open to any student of my faculty. That’s what it’s for. For educating all students of my faculty, regardless of identity or background. That same mechanism which protects Student Homophobe in my classroom would also protect, say, Angry Queer Feminist Student in the classroom of Old White Professor Who Doesn’t Like Being Questioned On The Representation of Women In Joyce. Unless I want it to be possible for black students to be excluded from a class where they question white literary canon and piss off white teachers, I cannot make it possible for me to exclude a conservative student just because he is opposed to my approach.

The AO3 is not a classroom; it does not have obligations to the state to provide education to citizens, etc. But it does have obligations according to its opening charter and policies. The AO3 opted for maximum inclusion and security as a content host, which means it is consequently limited in how much it can protect users from distasteful content. There are improvements that could be made! (A built-in tag excluder would be nice, so you could set your account to never show  things tagged, idek, Kirk/Spock, say) But the Platonic Ideal of A Safe Space cannot be achieved here. 

It is the 1990s, and you are a vidder who would love feedback on your vids. There is no streaming or downloading and vids are still being made using two VCRs and videotape. The only way for someone to see your vids is if they send you $5-10 and you mail them a copy of the tape or you shell out even more money to attend a convention in person. Or  you find a friend who is willing to do do this for you.

As a vidder, your main feedback  is in person if you attend conventions and are in the audience listening to their reaction. But what do people really think about your vid? And what if you are not at the convention? Or are hiding out in the hotel bar because “OMG people are watching my vids live!!!”

Enter the Vid Comment Form, developed by Sandy Hereld and Rache in the 1990s. 

From Fanlore, the fan run wiki about media fandom:

“A vid feedback (or comment) form was a sheet of paper handed out to vidshow attendees at the Escapade and Zebracon conventions in the late 1990s asking them to offer comments on each vid as they watched. As one fan described it: “the Escapade vid show pauses for thirty seconds after every vid to allow people to write down comments if they wish.[1]  After the vid show, the forms could then  be cut into sections allowing vidders to take their comments home. However, before this happened, vidders would gather around a table containing the forms immediately after the end of the vid to read their feedback (sometimes aloud) and marvel at both the perspicacity and obtuseness of their vid audience. The idea, which originated with Sandy Herrold and Rache was eventually abandoned in the early 2000s as the feedback was often superficial and some audience members found it too distracting to watch the vids and write feedback in a 4-5 minute span in the dark.“

There was a strategy to the questions on the forms. By the 1990s, vidders realized that the audience’s like and dislikes of vids were mainly influenced by their love of the show and their familiarity with the music used in the fanvid. By 2003, the comment form added a “technical” section to see if a vid’s reception could be due to the viewer’s perception of vidding technique. In 2002, vidders held their first vid-themed convention Vividcon to help fill the gap in both viewer feedback and technical discussions. 

youblowuponesun:

i’m writing my thesis on star trek’s influence on society, politics, culture etc and there are so many resources out there especially in fandom history and guys this is honestly so exciting

Fanlore!!!

metafandom on Livejournal

Metanews on LJ and on tumblr (on hiatus)

Fandom news on LJ (on hiatus)

the fandom history and fandom meta tags here on tumblr

ahollowyear:

rhodanum:

Perhaps it’s my age speaking, but I’m starting to miss the way fandom used to be fifteen years ago. Mostly since back then the concepts of ‘darkfic’ and ‘don’t like, don’t read’ were properly understood and adhered to (usually). The situation with darkfics was interesting in particular, because the entire premise was that the author could write incredibly fucked-up things, with the understanding on their part that shit was indeed very messed-up and with no pretense to the contrary (what usually gets termed ‘romanticization’ these days).  

Now? You’ve got to run an entire rigmarole of explaining the difference between romanticization and just straight-up exploring a horrible dynamic in writing as, you know, a writer. And even after that, you’ll probably have to deal with the whole invasive ‘explain every trauma you might’ve gone through, so strangers who otherwise don’t care if you exist can decide if they give you Permission to use writing as a coping mechanism’ mess. Fucking hell.

I’ve said it before. Learn to tell the difference between fantasy and reality. Learn to tell the difference between what someone explores on the page as a writer and what that same person believes and advocates in their day-to-day life.

Truth.

Hey guys, remember squickfics? I remember squickfics.

all too well

Fanlore, the fan run wiki does not have squickfic defined, but it does have an essay from 2001: Squickfic and Satire

Plus it has pages for:

Squick

Embarrassment Squick

And here is a documented early use of “squick” in a media fandom context from 1996 (I am certain there are earlier uses, possibly also on Fanlore).

Fandom History: It’s Not Just About Yesterday. Right?

I volunteer on Fanlore, the fan run wiki that documents our corner of fandom history. But history is not just what happened last decade - it is also happening today in the places we hang out in, the vocabulary we develop, the platforms we use, the fandoms we love and create for and how we interact with one another.  

So what would tip you into writing about your love of fandom life on Fanlore? Would a specific project with targeted goals help? Would having a mentor or editing buddy help? Or would you like to dive in on your own?

Read more about Fanlore.

Recent news and updates

Fanfiction and Me

marthawells:

This is an article I wrote for Black Gate Magazine in 2014, when the editor asked me to explain fanfic to a non-fanfic audience.


I was introduced to fanfiction after The Empire Strikes Back came out in 1980, when I was around fifteen. This was long before the Internet, and fanfic was printed in fanzines, fan-produced magazines that were mimeographed or xeroxed, or if the editor could afford it, offset printed. But finding them, if you didn’t already know someone who knew about them, was nearly impossible.

As a lonely, feral, anxiety-ridden, teenage fan, my only connection to the fandom world at all was Starlog magazine. Back then, Starlog was a lifeline for me, and it not only featured articles and news about TV shows, movies, and books, but also fan groups and conventions. (I chose the university I went to because Starlog had an article that mentioned its student SF/F club and convention, but that’s another story.)

The magazine also had a section of small cheap personal ads in the back for fan-related merchandise. One issue, a fanzine called Facets, dedicated to fanfic about Harrison Ford’s various characters (mostly Han Solo and Indiana Jones) bought an ad, and I sent my money in (I don’t remember how much, probably less than $10) and bought a couple of small fanzines.

I was hooked. The back of each fanzine was filled with ads and flyers for other Star Wars fanzines, and I dived in and ordered more.

At their height of popularity in the 80s and early 90s, Star Wars fanzines were gorgeous productions. There were zines that were more than 300 pages long; with color covers and black and white illustrations; and filled with stories, poems, and cartoons. The best editors would copyedit the stories and some made suggestions and asked for revisions, helping the writers produce their best work.

If this sounds like a lot of unpaid work for writers, artists, and editors, it was. The zines were all labors of love, and though the editors did charge a cover price, between printing costs and shipping, the editors either lost money or only made just enough for seed money for the next issue. But it was an enormous amount of fun, and it was a connection to a group of people who liked the same things you liked.

And most of the fanfiction and fanzines were produced by women. I was a terribly lonely teenager, and I didn’t know anybody in person who liked what I liked. Reading about other people who loved SF/F books, movies, and TV shows in Starlog had been important to me. Stumbling into this world of women, some my age but mostly older than me, who enjoyed the same things with passion and intensity, and who were funny and creative and generous and argumentative and wrote and drew and made beautiful fanzines, was a revelation.

It was also an important part of my development as a writer. Without it, I don’t think I would have had the motivation and encouragement to keep learning how to write, and the confidence to let other people read my work. And it was just a hell of a lot of fun.

Media fanfiction fanzines had been around for quite a while by that time, at least since Star Trek. These zines were centers of a community that interacted via the letter columns in each issue (where the readers gave feedback on and discussed the stories) or letterzines, which were exactly what they sounded like, zines where the readers carried on general discussions and chatted via letter, like a printed version of an Internet forum. Except for the lucky few who were able to go to fanfiction-oriented conventions, this was the only way to interact.

And yes, people still had fights and bitter disagreements and flame wars via letter columns and letterzines, terrible earth-scorching flame wars; they just had them very, very slowly.

Besides being hard to find for fans not already connected to the fanfic community, there were other downsides to fanzines. The big zines were expensive to produce, and even the smaller cheaper ones were expensive to ship internationally. Many fans couldn’t afford to purchase them at all and others couldn’t afford the shipping on any zines printed outside their own country. They were time-consuming and labor intensive, and most editors usually managed to produce only one or two issues each year, if that.

Fanzines were also divided into separate categories, with some zines allowing only general PG-rated stories, others allowing explicit stories but no slash (characters in romantic or sexual same-sex relationships), and others allowing only slash. If you wanted to read all three, you had to buy more fanzines. And the legal status of fanwork wasn’t well understood back then, and some editors were justifiably afraid of being sued for copyright violations, and it made people paranoid, and made zines harder to find.

As more people got access to the Internet in the 90s, fanfic and the fan communities surrounding it moved to email mailing lists and web archives and sites like Live Journal and more recently Tumblr. (There are still some print zines being produced, but not nearly as many, and archives like the one at the Cushing Memorial Library and Archive collect the older ones for preservation.) And of course the best thing about Internet fanfic and fanart is that it’s free and there’s lots of it, anybody anywhere in the world with an Internet connection can find it, and you don’t have to worry about the post office losing it or an overworked editor getting fed up and quitting. This allows readers to explore all kinds of fanfic, to follow their favorite writers from fandom to fandom, and to discover new books, movies, comics, and TV shows from all over the world through the fanfic those sources inspire.

It was a great feeling when that zine you had waited six months or a year for finally arrived, with gorgeous color covers and stories by your favorite writers and art by your favorite artists, but being able to get online and look for new stories when you’ve had a horrible crappy day is pretty darn nice, too. And it’s still a hell of a lot of fun.

https://www.blackgate.com/2014/10/22/fanfiction-and-me/

You can see some of the Star Wars fanzines on Fanlore here and here.  And learn about the history of zines and slash zines in particular.

holdharmonysacred:

Looking at Fanlore wiki though and I’m amazed at just how DATED so much of it is??? Like it feels so bizarre to jump from a page on recent drama with some fairly nuanced discussion and valid discourse on marginalized groups and fandom to like, a page on straight girls and slash fic that tries to defend fanfiction but happened so early on that it just ignores how gay fanfic written by straight girls for straight girls tends to exclude actual gay people and overall comes off as REALLY REALLY CREEPY.

And there’s so much emphasis on FANFICTION and like, I get that that’s were fandom history is, but something about it just feels… wrong??? Like maybe I’m just used to tumblr offering a much more BALANCED variety of media but so much of the past discourse it catalogues feels like some sort of fanfiction cult like holy SHIT past fandoms, learn to chill.

A wiki is user created. It needs people to add content. Imagine tumblr if only a few people cared to create posts. Just endless reblogs of the same 100 posts and all you’d see would be Stucky and lots of cat posts.  The beauty of Fanlore is that it allows even the smallest fandom or event to be documented (it does not require that the page “be notable and important” and it allows PPOV (Plural Point of View = multiple opinions = no one single fandom history perspective).

So jump in and add newer content.

Some tutorials

Fanlore New Visitor Portal

Basic Wiki tutorials

Edit a Fanlore Page

decepticonfetti:

“where did I imply I’d like to harass anyone or report every fic I don’t like”

Right here : 

“I could never report people posting alec/women stuff despite it being homophobic, because it doesn’t violate their terms. I can’t report pretty much anything, because as long as you’re not plagiarizing, it’s all good”

You state that you want to report stories containing a ship you do not like and state that you would report other stories with an implication that you would do so because they contain problematic elements you do not like.

“and you ppl GOTTA stop talking about this in super vague terms as if I’m protesting things “I don’t like””

You and I appear to have very different definitions of the word ‘vague’ as I was being nothing if not blindingly clear on my stance.

You did, in fact, make a post bemoaning AO3’s policies not allowing you to report/flag things that you do not like.

“when I’m talking about people who write cp, sexualized abuse (eg 50sog), and straight up homophobic content.”

As I’ve pointed out on multiple occasions, AO3 is in compliance with US Law. Since publishing child porn is illegal in the US, it is not allowed to be posted on the site.

Per their TOS:

The Archive of Our Own is a place for fanworks. Content may not be uploaded to OTW’s servers if it <<<<<<<<contains or links>>>>>>> to child pornography (images of real children); warez, cracks, hacks or other executable files and their associated utilities; trade secrets, restricted technologies, or classified information; or if it consists entirely of actual instruction manuals, technical data, recipes, or other non-fanwork content, including non-fanwork creative work (refer to the ToS FAQ). Uploading such content is a violation of the ToS.

I’ve placed a large emphasis on the crucial conjunction of this bit of legalese, but for those of you who just skimmed it, I’ll reiterate. The AO3 TOS expressly forbids the uploading of content that CONTAINS or LINKS child pornography. It’s against the rules. You are well within your rights to report it!

Every other instance of explicit content, however, is allowed but must be appropriately tagged so that stories can be properly filtered when using the search function. You can set your own preferences for tags you wish to avoid so that stories with content you do not wish to see will not pop up when you search. You have the functionality to report stories that are untagged or improperly tagged.

So yeah, you do not have to look at content you don’t like if you don’t want to look at it. You do not have the right to tell people not to write content you don’t like, no matter what platform they are using to publish on. 

For a more simplistic example, if you hate cookies you do not have the right to say that I can not bake my own cookies or sell my own cookies or publish a cookie cookbook or share my homemade cookie recipes or eat my own cookies.

“if you like those things and think they’re okay, you should be criticized.”

That’s why the comment section exists - for critiques and criticism. But I’ll be honest if you came onto one of my stories calling me a piece of shit for writing about rape or sexual slavery or genocide or any one of the numerous ‘problematic’ tags I have on my stories, I would most likely report you for harassment. Mainly because you seem to be the type who just glances at the tags and judges based on that. I don’t know how I got that idea, maybe it has to do with you blatantly saying you’d report a story for having a ship tag you don’t like. 

I’m getting pretty tired of repeating myself about this shit, but AO3 was created for ALL fanworks to be housed within the bounds of legality. It was created in response to previous fandom bans and purges, which were triggered by people with very similar attitudes to yourself. That is why we are having such a visceral reaction to your demanding AO3 allow you to report such content. We’ve been there before, we’ve seen the pain that kind of thinking causes, and we do not want it to happen again.

“you ppl are seriously acting like I’m gonna shut down ao3 bc I don’t like porn in general, even tho I’m talking about abuse”

Yeah, I don’t think you want to shut it down just because of p*rn in general. But you are pretty much demanding unchecked ability to report fics for content you don’t like, which includes p*rn you don’t like. No one here believes you alone have the power to shut down that website, but we do believe and know for a fact that groups of people who think like you can.

As I’ve said a number of times, pushing for a blanket ban on a subject gets even benign stories caught in the crossfire. Because if you say abuse is no longer tolerated, then your exxing out any possibility of writing a story in which there is abuse including stories about escaping it, stories about getting vengeance on abusers, and stories about prosecuting abusers. 

And then, with abuse banned, you get people coming along who are even more zealous than you are about the definition of the word and suddenly things that were never considered abuse before are now abuse. Stories about first dates in which one character’s word choice isn’t up to par with someone’s idea of what first date conversation should be gets reported as abuse because ‘gas-lighting’ or some other spurious reason. Or someone reports a story about two friends where one punches the other playfully in the arm and calls it abuse.

That’s how it starts.

You are complaining about fandom elders for making an inclusive environment for fan works. You are complaining about the people who have worked damn hard to ensure that you and other younger members of fandom don’t get sued for writing you fluff and your slash and you coffee shop AUs. You are complaining about people who worked to give you and younger fans a place where they don’t have to worry about someone reporting their works out of spite or misplaced morality scares. 

I’m sorry that explicit content upsets you, but there are tools in place for you to avoid it, just like you can walk into a bookstore or library and avoid reading books you don’t like by glancing over the summaries on the dust jacket.

classictrek:

Courtesy of the UCLA Library, here are the memos exchanged between Robert Justman, Gene Roddenberry and John D.F. Black covering the development of Star Trek’s iconic opening monologue.

irresistible-revolution:

i also think this new trend of neo-victorian purity culture in fandom that ridicules people for shipping “bad” ships and attacks writers whose fics have “problematic” content is subtly tied to fandom’s new visibility and conditional mainstream acceptance. because of twitter and the increasing celebrity and showrunner interaction with fans, and because representation politics have somehow melded with respectability politics, there’s this push to “cleanse” ourselves of weird, freaky, disturbing, embarrassing content and present ourselves to the world as just “normal” people who love tv shows and books. because if they see we’re normal and cool, they’ll listen to us right? they’ll respect our demands right? they’ll give us our ships right? nope! instead we’re experiencing a massive dearth in fandom creativity because people are only invested in supporting and uplifting canon ships and canon stories, and instead of looking to ourselves for creativity and representation we’re depending on showrunners who’ve never had our best interests at heart. and honestly eff that. i don’t care about being seen as “normal”. i’m a weirdo! i’m a freak! fandom is weird and freaky and i’m okay with that! in fact, there’s power in that. we don’t need some stamp of approval from showrunners and celebrities, and we certainly don’t need to justify why we write or desire certain content in our fics. be weird! be freaky! be embarrassing! own it! it’s the only thing that’s truly ours.

cacchieressa:

medie:

feanna:

pipistrellus:

the ao3 discourse is interesting to me bc i feel like theres a big disconnect between ppl who Were There For Strikethrough of course but also in a more general way, people for whom Strikethrough was not a Weird Anomaly – people who grew up in the late 80s/early-mid 90s climate of BANNING JUDY BLUME BOOKS FROM LIBRARIES BC AN ADULT WROTE TEENS DOING SEX ! and stuff… like… ppl for whom “disingenuous right-wing ~for the family~ morality org claims to wanna protect vulnerable people but SOMEHOW MIRACULOUSLY ends up just banning kids from reading about sex or gay shit or talking about having been raped” is really… just… the norm. like. thats the baseline of this discourse… that’s… you know. i dont know. i dont mean this in a YOU GOTTA UNDERSTAND WHERE WE WISE OLD PPL ARE COMING FROM thing i mean it in a … i genuinely think that there are two paradigms here and that it is probably hard to grok aspects of them if you grew up in a cultural atmosphere which can lead you to claim ~Strikethrough was an anomaly~ rather than the system working as intended. Strikethrough wasnt a Good Protective Thing which ON THE EDGES also ACCIDENTALLY took out a FEW “innocent” comms and journals… Strikethrough did what it was intended to do, and it was only one incident in a long, looooong history of organizations like that one doing, or trying to do, the same damn thing, 

Yeah, fandom was weird thing to be into (and not the kind other people find endearing), and definitely UNDERGROUND. You had to definitely go looking. And while not everybody elses weird stuff in fandom was your weird stuff, you were all the target of “normal” people together. AO3 was revolutionary!! I remeber when it was first posed as an idea. Also, I still remeber the women, who had a physical zine shipped to Germany and had to go to customs where they told her they check magazines so people don’t order porn, not that she (women) would!!! (Yeah, that K/S zine had some explicit gay art in it, she was lucky they didn’t actually look inside.) So that’s also were people are coming from. When I got into fandom, there was still a BIG Het/Slash divide, and Slash was a warning! (and slasher and identity). Not to say that everything was better, or something. But there was always the feeling that you were transgressing in some way by being there. And you knew you weren’t wanted on platforms made for “normal” people. The constant warnings people put on stuff, where “please don’t sue me!” was a real thing, and that adult stuff couldn’t be on many of the pages/archives, and sites that didn’t allow gay content, etc.. We remeber all the things that weren’t allowed to be posted on certain sites, that is why the AO3 even came into being.

Yeah, I got into fandom around the same time. I can remember getting banned off a Sentinel mailing list because I spoke up in defense of a person who’d accidentally forwarded a slash email to the wrong list. (It was an accident and yes they got hardcore yelled at).

I can remember having to mail proof of my legal age to a adult mailing list before I could get in. (Yes they were legit, no it wasn’t an identity scam)

We developed pseudonyms to protect ourselves online  because people got fired for being fannish and for writing slash. People got harassed in their offline lives (yep, fandom doxxed long before the word got coined). I can remember some fans having it impact custody battles.

The OTW and the Ao3 rose out of fans basically swearing ‘never again’ because we got so damn tired of being attacked. The Ao3 gave us a place to post, bu the OTW’s advocacy work has done a lot to legitimize fandom.

Sometimes I think we did the job too well, because while it’s gotten better, all that stuff really hasn’t gone away and I worry so much about the kids coming up in fandom now. Throwing around personal details like it’s nbd, pics, whatever.

It can come back to haunt you.

Tag your shit so people don’t have to see it, but lay off the censorship talk. That’s a road you don’t want to go down.

The Ao3 can and will make decisions to protect things you don’t like, sure, but trust me, that’s actually a reassuring thing because ultimately?

They’re also protecting you.

for real though, speaking as someone who was actually personally affected by Strikethrough - I did have fic that was posted only to a targeted community (pornish_pixies) deleted when Strikethrough happened and I had to repost to my own LJ (and later to AO3) to ensure I could archive them and they wouldn’t just disappear again - the WHOLE POINT OF OWNING THE SERVERS IS SO THAT YOUR WEIRD STUFF WON’T GET DELETED because of some homophobic crusade masquerading as ~protecting the children~.

And also, the whole point of tagging and warning is so that people who don’t want to see your weird stuff can scroll or filter, and people who do want to can find it.

madmaudlingoes:

tygermama:

every time I see more of the ‘ao3 is evil’ crap circulating I think, ‘well, tumblr is evil too and I don’t see you stop using it’

You know, the more I think about this, the more I think the real complaint isn’t that AO3 hosts “evil” content, it’s that it doesn’t allow harassment/dogpiling of “evil” creators as easily as Tumblr. Abuse won’t remove or even re-tag a work except in a handful of very specific cases, but they will suspend or ban users for harassment, including filing repeated unfounded Abuse reports. Authors also have at least some ability to screen/block comments on works, and there’s no direct messaging system outside of commenting on works through which to pursue harassment. You can follow a creator but you can’t block them (much less encourage others to do the same).

Tumblr, by contrast, generally ignores any abuse report that doesn’t involve the DMCA, and aggressive anons can and have driven bloggers off the site entirely. The fact that the same tactics are used by social justice bloggers and neo-Nazis (for instance) doesn’t matter – they’re the affordances of the site, by accident or design, and an entire fannish generation have gotten very used to performing their fannish (and moral) identity in this fashion.

(I thinks it’s relevant that AO3 was designed by fandom’s LJ generation and in some respect mirrors the affordances of LJ circa 2010. Tumblr is a very different site and that, moreso than age differences, seems to be at the root of this – though of course age intersect with site experience in a non-trivial way.)

Good to see you defend the good old things in fandom such as non-profit, racism, misogyny, homophobia and rampant rape and abuse apologism. Why is it that fandom never gets to be safe unless you're a straight, white cis woman and that you always act like everyone else just have to sit down, shut up and tolerate how things are run. That we have no right to a voice or an opinion? Because if we speak, we "make you scared of writing things".

olderthannetfic:

One of these things is not like the others. One of these things just doesn’t belooooong. ♪♫

In an era when “abuse apologism” means shipping some Voltron pairing where one of them is in their “late teens”, “rape apologism” means writing sex pollen fic, “homophobia” and “misogyny” are the two sides of the hero/male sidekick vs. hero/female love interest shipwar, and “racism” means focusing more on Poe than on Finn in your stormpilot, it’s important that someone be willing to speak up.

Tumblr is full of fans who can tick off every minority ticky box imaginable but who are still afraid to squee about their ships in public because anonymous assholes will flip out at them for shipping wrong.

I got into fandom when I was 13. It helped me discover my sexuality, and it’s been an important part of my life for over 20 years. I am all for young people getting into fandom if they want to. However, the thing that made fandom so great for me was that older fans were willing to mentor me and tell me what fandom was like in the past. They didn’t tell me I had to do fandom exactly their way, and I’m not here to force people into my way of doing things either. There’s a whole internet out there to play in. If you never want to see a word out of me again, you don’t have to. If AO3′s rules bug you, you are free to found your own archive based on purity principles instead of on inclusiveness.

Fandom is never completely safe, no matter what your demographic. But it can be fun and pleasant instead of a cesspit of hate. The way to make that happen is to ship and let ship and to assume good faith. The way to do that is to promote the things you do like in fandom instead of trying to set fire to the things you don’t.

When I get an anon message like yours, I usually ignore it because it’s so transparently obvious that you aren’t reacting to me. I can be abrasive: there’s plenty to criticize about actual me. But when I get accused of not making fanworks about characters of color or, as in your case, when I get accused of being straight, I know that person is simply stringing together Tumblr’s favorite insults.

Adding “non-profit” to a list of generic badness makes it clear that you’re just angry that AO3 is refusing to compromise its principles and mission to cater to your need for attention. Be more subtle in your trolling next time.

“The way to make that happen is to ship and let ship and to assume good faith. The way to do that is to promote the things you do like in fandom instead of trying to set fire to the things you don’t.”

Conrad Veidt, influencing the birth of slash fanfic

aikainkauna:

…I am awed. @ushas42​ messaged me about Diane Marchant, the woman who wrote the first ever published slash fanfiction story (Kirk/Spock), the woman we have to thank for slash fanfiction as a genre.

Those of us writing m/m slash now–we owe it all to this woman.

And you know what? She was not just a lifelong Trekkie, but she had a lifelong love for her favourite old-timey movie star, who just *happened*
to be Conrad Veidt. She was such a huge fan of him that she bequeathed her lifelong Conrad Veidt collection to the Australian Film Commission upon her death (see here).

No. I am not joking. The woman who wrote the first published m/m slash fanfic was a lifelong fan of Conrad Veidt, who himself was, basically, slash/romance fiction come to life all by himself: androgynous, feminine, woman-loving, bisexual and hypersexual in his performances, and with a reputation of seducing repressed guys into bisexuality.

I am just slack-jawed in awe over all of all this. I can imagine Diane writing her first Kirk/Spock slash story with a photo of Conrad Veidt looking upon her benevolently as she wrote all that, Connie exuding all of his beautiful bisexual powers upon her in encouragement.

So, I thought it was just Star Trek fandom that could carry the badge of pride for bringing m/m slash fiction into existence, but I cannot help that Connie, the prettiest girl in Berlin would have had some influence over that, sending his (documented) powers of seducing repressed men into bisexuality across all these years… I really do mean it; I am in awe.

Diane was not only a Trekkie, but one of *us* as well–The Conrad Veidt fandom. The fans of this beautiful, androgynous, gender-and sexuality-bending star who brought so much bi/pansexual energy into all his talkie performances–and I have no doubt in my mind that he, Conrad Veidt himself, gave her at least some of the push into making slash fiction exist, and to making it in the genre we all know and love today.

I… I feel like weeping. Connie is–conceivably–one of the things that made slash fanfiction happen.

How amazing is that?

must yell at clouds

telesilla:

I wasn’t going to put this in the hella long answer that I just posted because it’s not really relevant, but does anyone else remember the old archives? The really ancient ones? That looked like this?

ocaptain.txt 

myfairje.txt

itsabout.txt

shemoves.txt

That was all. No description, no author, no pairing, no rating, no tags, no warning. You didn’t even get a hint as to which version of Star Trek the fic was about. Just a blank page with a line of document names. It took forever to download them only to find it was a NOTP or kinky or what. And I’m not saying y’all have it easy, but…

Y’all have it easy.

jiheishousha:

meeedeee:

It is the summer of  1975 and this Star Trek fan was hard at work editing her fanzine, The Communicator. She is surrounded by paper tribbles, a by-product of The Fannish Writer in her natural habitat.

*photo used with permission of both the photographer and the editor.

So… apparently this photo of my mother has been on Tumblr for like six months and someone finally managed to track her down and asked her permission to use it in an upcoming publication and it has totally made her week to know people are documenting fandom history so thoroughly. :D

Here’s a more overtly nerdy photo–she’s the one on the far right. Obsessive fandom apparently runs in the family.

Heee, I am sending an email to the photographer today. He is the one who came up with the phrase “paper tribbles”. 

pocketseizure:

feynites:

zefram-cockring:

lizdexia:

magnusbene:

honestly I don’t even care why ao3 was created, if you defend their policy of not deleting horrible works, or are otherwise completely uncritical/forgiving of their mistakes because “but they’re by fans for fans”, you’re a piece of shit

horrible tropes and abuse have always been a part of fandom and fanworks, but it’s super gross that a bunch of fandom elders (who are most likely at least in their thirties) continue the tradition of citing “don’t like don’t read” as a good enough excuse to write child porn, abuse, rape, sexual slavery, etc. AND they collect thousands of dollars each year to fund this through donations

like. they are literally putting money into abusive content being published on their site. where people of any age, even pre-teens, can access it. for example, I could never report people posting alec/women stuff despite it being homophobic, because it doesn’t violate their terms. I can’t report pretty much anything, because as long as you’re not plagiarizing, it’s all good

yeah, ao3 is great as a concept, but allowing abusive, homophobic, racist, etc. material to be published on your site because “fuck the pc police/moral crusaders” is appalling and fuck ao3 tbh. not to mention they’ve had really disgusting people as members on their board, so it’s pretty obvious what kind of people are in charge of this site

actually you know what i didn’t get to say what i was going to say before because i had to rush off but now i’m just gonna say this – this post is garbage. if little sally doesn’t understand how road signs work, the appropriate question to ask isn’t “how can we make the highway safer for 8-year-olds,” it’s “hOLY FUCK WHY IS LITTLE SALLY DRIVING A CAR?!” when work is tagged appropriately, marked nsfw/inappropriate for those under 18, and warned for everything that requires a warning, the creator’s side of the contract has been fulfilled. period. this is why parental controls and safe search exist. it’s not my job as a hobbyist purveyor of casual filth to prevent someone else’s child from accidentally reading what i’ve written. it’s not my job to parent anyone else’s children. it’s not ao3′s job to convert a twelve-lane highway into a go-kart track for those plastic fisher-price cars you pedal with your feet because hypothetical children might read something they shouldn’t have access to in the first place.

and for that matter, if the argument is “kids will lie about their age to look at that stuff anyway” – yeah, sure, of course they will. funnily enough, i got into harry potter fandom young – started reading fanfic when i was around 10 and 11. you know what i did when i saw things that were tagged in a manner that disturbed me? I DIDN’T READ THEM. I WAS CAPABLE, AS A CHILD, OF CONTROLLING MY OWN MEDIA CONSUMPTION EXPERIENCE. and then i got a little older and turned 13 and read wuthering heights and david sedaris and augusten burroughs and a confederacy of dunces, and then i turned 15 and read lolita and anais nin, and you know what? i. could. handle. it. by. then. yeah, i was a precocious kid (my favorite book at 13 was a fucking confederacy of dunces, for god’s sake), but i was not permanently damaged by anything i read. funnily enough, i was permanently damaged by my ABUSERS, not the literature i read, and sure as hell not by the fanfic.

despite all of my issues with moral wank and purity culture, historically, fandom is a remarkably safe space for younger people to read things that toe the boundaries of what they can find in the YA section at their library, and to try creating things that toe those boundaries as well. it’s not a perfect space by any means, but it served that purpose for me. i can’t say enough good things about what it did for me as a teen who was not allowed to date and whose school stressed abstinence-only sex ed which taught us that masturbation was immoral and condoms would give you cancer. if your argument is “ao3 and content creators have a responsibility to the community” – yes. and we fulfill it by TAGGING THINGS CORRECTLY. if the argument is “but kids will read tagged things anyway” – sure. some will. but as someone who did, i can tell you, kids aren’t fucking stupid. they can differentiate between fiction and reality, and for that matter, they can differentiate between things they want to read and things they don’t.

i am not anyone else’s parent. neither is OP. 

s t o p.

“if little sally doesn’t understand how road signs work, the appropriate question to ask isn’t “how can we make the highway safer for 8-year-olds,” it’s “hOLY FUCK WHY IS LITTLE SALLY DRIVING A CAR?!”

image

This is the full cover for Game of Thrones (well, one version). The text consists of:

Front Cover - Story Title, Author’s Name

Spine - Story Title, Author’s Name

Back Cover - Quote (”I can’t put it down! If I’m not reading the book, I’m watching the series on HBO.” - Matt Smith), blurb (”In a land where summers can last decades and winders a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the North, sinister and supernatural forces are massing beyond The Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavours to win that deadliest of conflicts:the Game of Thrones.”) and another quote (”Reminiscent of T.H. White’s The Once and Future King, this novel is an absorbing combination of the mythic, the sweepingly historical, and the intensely personal.” - Chicago Sun-Times).

Notice what’s not anywhere on that book?

Warnings.

There are no warnings for rape, incest, violence, abuse, slurs, character deaths, rape, nothing. A twelve-year-old kid who likes fantastical stories can and probably has picked this up at a local library, sat down in one of the library chairs or even signed out with it, and gotten to reading.

I know, because once upon a time that kid was me. Not with Game of Thrones, but most assuredly with comparable stuff.

We put adult-oriented television on after nine pm. There are definitely kids who stay up later than that. We put ratings on our movies. I’ve seen toddlers in R-rated films. We make laws to try and keep kids safe, and actual, real-life horrific stuff still happens to them. That’s life.

Fanfiction at least, as mentioned, warns people what they’re getting into. Generally, way better than any other media does, in fact.And that might even be part of why people get so up-in-arms about it. When you go into a book store, you just see glossy covers and titles and generally innocuous quotes. People can happily walk among the stacks without ever knowing how many of those books contain stories that would actually offend the hell out of them. 

When you browse through fanfiction, though, you get warnings. And anyone just casually looking at AO3′s archives will see those warnings first, long lists of them, and they might think to themselves that fanfiction is uncommonly depraved.

It isn’t.

I promise you that AO3′s archive is not more racist, sexist, homophobic, or otherwise rife with questionable content than your local library. But you do have better odds of being warned about what you’re getting into there.

I almost never reblog anything having to do with politics here, but I will make an exception because it’s important to talk about censorship, especially given the persistence of “anti” “discourse” on Tumblr and the call to regulate and control content on AO3. Free speech – especially free speech at the margins of any given society – is absolutely necessary for liberty and equality. Words like “liberty” and “equality” are frustratingly abstract, so let me offer a concrete example of the real effects of censorship with a brief bit of background.

Throughout the 1970s, female intellectuals in the United States staged a vigorous critique against sexist and violent imagery in their media and culture, and in 1979 a New York based organization called Women Against Pornography started to gain traction. Partially because of the outreach efforts of this organization, in 1983 two law professors named Andrea Dworkin and Catharine MacKinnon drafted an antipornography law that ended up being passed by the Minneapolis (a large city in the Midwestern state of Minnesota) City Council. The twin problems with this law were that it was both hopelessly vague regarding the nature of “pornography” and extremely specific regarding its focus on denying the depiction of women’s pleasure. Dworkin and MacKinnon wrote extensively and published prolifically, and in the next few years versions of their law were enacted elsewhere, including Los Angeles county and the state of Massachusetts. Although Dworkin and MacKinnon identified as feminists, local and national feminist groups wanted nothing to do with them, and their support came from conservative Christian interest groups, the same people who were also campaigning to take sex education out of American schools.

In the United States, the Supreme Court eventually struck these laws down as being unconstitutional as a result of court cases filed largely by lesbian and gay rights organizations. Canada was even more conservative than America during the 1980s, however, and the Meese Pornography Commission that informed and influenced the Canadian Supreme Court’s deliberations on antipornography laws was utterly dominated by right-wing opponents of women’s rights. According to the court’s eventual decision in 1992, such laws were upheld, and the first “pornographers” targeted by police were feminist and lesbian bookstores (remember that, since these laws only targeted depictions of women’s pleasure, gay dudes were largely off the hook). Ironically, because Andrea Dworkin’s 1989 book Pornography contained samples of the sort of imagery she argued should be banned by law, the actual passage of such laws resulted her own book being banned in Canada.

Let’s return to the conversation at hand – protecting the children.

A good case study of how censorship denies resources to children on the margins, such as children with “queer” genders and sexualities and children who experience abuse, is the reception of Bryan Talbot’s 1995 graphic novel The Tale of One Bad Rat, which chronicles a young woman’s flight from home after being abused by a male relative, her struggles with living as a homeless minor, and the uneasy peace she is finally able to make with her trauma. According to Talbot, he could have written the story of a homeless girl finding a home without the depiction of abuse, but, as he says, “the issue was far too important to marginalize.”

Due to the inclusion of this depiction, however, the book has been successfully removed from schools, libraries, and bookstores in Canada, with challengers citing local and national antipornography laws. The graphic novel is nothing that any sane person would consider “pornography,” and it was expressly intended to serve as a source of strength and comfort. Because it was challenged so relentlessly, however, multiple writers and artists from across the Commonwealth (including, most famously, Neil Gaiman) were continually called on to help defend it in the ten years after its release. The situation concerning banned and blacklisted books in Canada has recently gotten better, but throughout the 1990s and 2000s multiple people were charged, fined, and literally imprisoned on account of the comics they owned, imported, or ordered for their libraries.

TL;DR: Fiction and art can be extremely powerful tools with far-ranging effects, but censorship never hurts people who are already in a position of power. The victims of censorship have historically been the young, the queer, the poor, racial and ethnic minorities, and other people on the margins. Demanding that AO3 remove works with “problematic” content is a slippery slope, and I promise that fandom, as a collective community, does not want to go down that road.

VINTAGE FANZINE HUNT:

songstersmiscellany:

irisbleufic:

irisbleufic:

irisbleufic:

I attempted this query once before, but I think the search was too narrow as far as how I tagged the post.  I’m attempting to find someone with a copy of the above-pictured 1992 fanzine called Pillow Talk.  Here’s the Fanlore entry on this volume.  The fandoms represented in it are Twin Peaks, MacGyver, 21 Jump Street, Back to the Future, Man From UNCLE, Quantum Leap, Young Guns II, The Hard Way, Edward Scissorhands, and Miami Vice.

If you have this zine (or know someone who does), please contact me via Tumblr ask.  I’d like a digital scan or photocopy; I’m willing to compensate you for it.  There are a few stories in here in which I have particular interest, but I’d also love to see the whole volume.  Help a fandom historian out?

UPDATE: This story has a happy ending!  Users sparky955 and spikesgirl58 at mfu_canteen on LiveJournal have come through.  Here’s the ordering information for this zine; it does not come up in Google searches:

Buy the zine here:

http://www.agentwithstyle.com/multimed.htm

List of stories within:

http://www.agentwithstyle.com/pillowta.htm


Detailed ordering information:

http://www.agentwithstyle.com/

ANOTHER UPDATE: Bad news about this zine publisher’s website.  It’s apparently been out of business for about a year, but the website will still take your money via PayPal.  Apparently they mysteriously stopped fulfilling orders in August last year.  If you made an order like I did, file a complaint with PayPal in order to get a refund.  In the meantime, I’ve been given the zine compiler/author’s email address and am pursuing a photocopy or digital copy with them directly, so I’ll still hopefully be able to get that story.

@saki101 please read this before you try that website; looks like they are taking money but not sending out anything in return.  I didn’t know about this when I reblogged the earlier post.

aaah you should absolutely tell us more fandom history things!! i love it when you do that!

sonar-taxlaw:

oh dang i didn’t know that more than like 2 people actually liked that!

so a few of my favorite tidbits that might not have been on here before:

[image description: a business card sized piece of paper that says on it

Fake Fans Association

CHICON III

Room No. ………]

this is from back when people would pass around quote cards at cons and people would sign them and they would get handed around and i seriously would put this on everything i own if it were a sticker

-someone published a bit of writing called The Eye of Argon in a fanzine in like 1970 and it was so bad that it’s still getting passed around today and it gets read at cons (here’s a link: http://ansible.uk/misc/eyeargon.html). usually what people do is they try to read as far as they can without laughing or messing up (typos must be read as written) because you have to respect the text and then it gets passed to the next person. also, sometimes people act out what’s going on as it’s being read.

-for a while there was a catchphrase that was Fandom Is A Way Of Life (or FIAWOL) that i’ve seen a little bit recently but it’s pretty rare. the response to this was Fandom Is Just A G(h)oddamned Hobby (FIJAGH).

-also, faanfiction (not the same as fanfiction) was a thing where people would write fiction about real or fictional fans and put it in ‘zines and things like that. i think fandom’s gotten too big for that to have continued much (at least, outside of the real direct con-going sf&f fandom)

The Ten Laws of Vidding

As revealed unto halycon_shift in 20 Aught 5.

First
The first minute is easy, the second minute is challenging, the third minute is an invitation to quit and the last three seconds EAT YOUR SOUL

Second
Just because no one understands your vision doesn’t mean you’ve produced art.

Third
Rendering time is directly proportional to how many mistakes you’ve made or the importance of the credits you’ve forgotten.

Fourth
If a ghost frame can exist, it will exist.

Fifth
The software hates you and wants you to suffer

Sixth
It is impossible to have too many effects

Seventh
It is possible to use too many effects

Eighth
The song you begin with has a less than average chance of being the song you end up with. The same goes for show, movie, computer and mental stability.

Ninth
Perspective is poorly defended against the marching armies of paranoia.

Tenth
The degree to which you like a song when you start will be equal and opposite to the amount you like it at the end.

liketolaugh-dgm:

A list of things fandom predates: the Internet, Google, the photocopier, me.

And that’s without taking into consideration the pre-copyright era. I am literally learning history because of how old it is. What is Usenet. What is a mimeograph. I didn’t know before, but I know now.

Fanlore is our memory.

some-triangles:

@naked-bee is the guest on this trucks!   This is a good one.  We talk about slash, the secret masters of fandom and the enduring legacy of Spirk.

From the fanzine  Fedcom, the September 1987, poem, “My Mother the Trekker” (links go to Fanlore, the fan run, non-profit wiki about media fandom)